Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album Review: Sousalves – Spirit of NYC Woman

Incendiary, twisted, quintessentially New York rock from one of its better guitar-wielding denizens. Paul Alves AKA Sousalves plays all the instruments here except the drums, slashing and scratching out a wired, distorted, strung-out concoction that sometimes eerily resembles legendary French rockers Noir Desir (whose frontman Bertrand Cantat murdered his girlfriend in a coke-fueled rage). There’s some vintage Gun Club somewhere in there, too, it seems. Sousalves likes minor keys, percussive riffs where the guitar doubles the rhythm of the drums, and the occasional evil chromatic hook. The whole album has a hallucinatory, 5 AM, out-too-late, out-of-control feel. It opens with a dirty instrumental passage that segues into Silver Shoes, which could be Noir Desir…or could be early Midnight Oil, from the days when they were a metal band. The cd’s title track features another notable Lower East Side denizen, Deborah Sassiver, playing Nico to Sousalves’ Lou here, adding layers of eerie,watery vocals to this cut and several others as well. The album’s next cut Passin Thru begins with a tinkling arpeggio played on what sounds like a koto, building to a titanic yet impressively terse, feedback-infused guitar solo before fading back to quiet again. The following track Tail Another Chase is as predictably warped as the title would imply, driven by a pounding chromatic riff. After that, Making It Happen takes it down a notch for a couple of minutes before reverting to the percussive fire of the rest of the album.

There’s ostensibly a video of Sousalves playing a live acoustic version of the next cut, Dance Tango, circulating on the internet somewhere: that’s a good thing, because this electric version strangely doesn’t have the hypnotic intensity of the unplugged take. The next song Painted It Black appeared on Sousalves’ previous ep …To Self and sounds something like what the Red Hot Chili Peppers would have done if they weren’t so interested in being rock stars. The highlight of the album, End of Your Rainbow reverts to a scorched-earth, nouveau Noir Desir fury, the odd tempo and ascending progression of the bridge exploding into its killer chorus. Sousalves closes the cd with a couple of hypnotic tracks, Waiting to Kiss You For Days which builds to a Jefferson Airplane-esque funk groove, and the quieter Meridians, with its neat trick ending. It’s a cliché but they really don’t make rock like this much anymore: fans of late great bands like the Chrome Cranks, Honeymoon Killers and Knoxville Girls will love this. Caveat – this album won’t really sound good unless you play it loud.

Sousalves plays the cd release for this album at Midway (the old Guernica space) at 10 PM on Tues May 1.

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May 1, 2007 - Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , ,

2 Comments »

  1. […] melody. He mixed what sounded like newer material along with songs from Sousalves’ latest album Spirit of NYC Woman, including the hallucinatory Tail Another Chase. Although Alves was playing acoustic, he would […]

    Pingback by Art Review: Richard Heaven at Ten Eleven, NYC « Lucid Culture | January 15, 2008 | Reply

  2. […] de SOUSALVES. Estos tíos debutaron en el 2005 con …TO SELF y el año pasado apareció SPIRIT OF NYC WOMAN. Si te gusta el hard rock melódico honesto y con aires a progresión sicodélica, puede ser que […]

    Pingback by » SOUSALVES « Nuyorker | February 24, 2008 | Reply


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