Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review from the Archives: The Cramps at the Academy, NYC 11/25/94

The concert was newer stuff bookended by old and perhaps someday canonical material: the original ghoulabilly band earned themselves a place in the pantheon a long time ago. They opened with Mad Daddy and Mystery Plane. Frontman Lux Interior appeared sober for most of the show, and even a little self-effacing; guitarist Poison Ivy played distorted rockabilly and hotrod rhythm without many solos. It seems that they’ve come to an uneasy grasp of the fact that this after all is show bizness and they’re in it for the money as much as anything else. Which is ok, because the Dead Boys were too and they also rocked incredibly hard live. So what if the Cramps are basically a 60s garage band with a lot of distortion and a mad Elvis fronting the unit. “Let’s take some drugs,” said Lux.

Let’s Get Fucked Up was one of the last numbers in the set but wasn’t as memorable as something with that title should be. They closed it with TV Set and The Crusher, the bass player using a slide on the highest registers, an attempt to replicate the sound Kid Congo Powers got on the records. An appropriately ominous Human Fly was the first of the encores, followed by She Said wherein Lux made a half-assed attempt to tell a story between choruses. Surfin Bird was the last song and quickly degenerated into a high-velocity, half-hour feedback jam. Lux put the mic in his mouth, climbed on top of the bank of amps to the left of the stage and made a variety of gross noises while Ivy stood with her guitar looking up at him anxiously as the bass and drums pounded and a high-pitched shriek blasted from her amp.

November 26, 2007 - Posted by | concert, Live Events, Music, music, concert, New York City, Reviews, rock music | , , , , , , , , , , , , , , , , , ,

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