Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Real Live Bluegrass in New York City? Yee Ha!

All you out-of-towners might be shocked to know that there’s a vibrant bluegrass scene in New York. The Dixie Bee-Liners, whose new album just hit #1 on the Roots Music Report got their start here. Since they left town, the best band around these parts is Straight Drive, whose gorgeously soulful performance of old-time, old school style bluegrass at Banjo Jim’s Saturday night would have made Bill Monroe proud. A lot of new bluegrass bands give off a coldly sterile, fussily technical vibe, but not this crew. Fiddle player Ronnie Feinberg made his marvelously precise runs look effortless. Banjo player Terry McGill was even more impressive when not soloing than when he was. He has great technique and a terrific way of building to a crescendo, but when he plays rhythm, he doesn’t just comp chords: he uses the whole fretboard, toying expertly with the melody. He threw everybody for a surprise by ending one song with a couple of high chromatics, and then bent the neck of his banjo ever so slightly to raise the pitch. Their new mandolinist is a vast improvement over the guy he replaced, the bass player pushed the beat along and frontwoman Jen Larson was brilliant as usual. Incongruous as it may seem, the most striking and haunting voice in maybe all of bluegrass belongs not to someone south of the Mason-Dixon line, but to this casually captivating architecture historian originally from Boxford, Massachusetts.

But she didn’t do the haunting thing tonight. This was Straight Drive’s fun set. This crew knows that a lot of bluegrass is dance music, and while they didn’t get the crowd on their feet, everybody except the trio of trendoids in the corner yakking away, oblivious to the music, were swaying back and forth and clapping along. Their version of Bill Monroe’s (Why Put Off Til Tomorrow) What You Can Do Today had fire and bounce; their cover of Hank Williams’ Blue Love was nothing short of sultry. The best of the vocal numbers, which they interspersed among the instrumentals, was a warmly swaying 6/8 number written by Larson that wouldn’t be out of place on a Dolly Parton record from the mid-sixties. Larson can give you chills but tonight’s show proved she can also make you smile and keep your head bobbing in time with the melody. Like most of the best New York bands, they don’t do a lot of shows here because the money is on the road, where audiences are used to lousy cover bands, and a show by a group like Straight Drive is a special treat that you can’t just see any old day.

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February 11, 2008 - Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

2 Comments »

  1. usps

    Comment by future man | November 28, 2010 | Reply


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