Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Art Review: Francesca Lo Russo: Cumbre Vieja at 31Grand Gallery

Drop whatever you’re doing. Now. There’s an art show you need to see. Cruelly, it’s only up through March 15 (the gallery has had it up for weeks, but we are obscenely late on picking up on this). If you’re distraught over the way New York has been turned over to the effete sons and daughters of the ultra-rich, if you’re disquieted by the thought of the apocalypse occurring in our lifetime, get your ass down to 31Grand Gallery (incongruously located on Ludlow between Rivington and Stanton on the west side of the street) for Francesca Lo Russo’s exhibit. This is the most powerful, intense, relevant show we’ve seen all year long. In typical fashion, we discovered this on the spur of the moment, having showed up a few minutes early for a Linda Draper show at Cake Shop (more on that later).

Self-taught Francesca Lo Russo really has it in for trendoids. In her paintings – mostly oil on masonite – they lounge nude at the bar texting each other, dos a dos, by the light of their cellphones, sip martinis at a bar that looks suspiciously like Max Fish while balancing their children on their laps, and make videos of volcanos of burning chemical waste while toxic chemicals spill on their oblivious feet. In these paintings, Lo Russo instantly vaults to the absolute pinnacle of the most spot-on satirical artists of our time. There’s a graphite-and-watercolor grey-and-white work here that perfectly capsulizes her vision. In the background, boxy, geometric apartment buildings – perhaps she’s been inspired by Little Annie Bandez? In the foreground, some random guy making a skull out of the debris of the tenement in the background, bricks and children’s toys scattered around, with a brand-new luxury apartment building immediately adjacent to it. It wouldn’t be a stretch to call it Brueghelesque: her characters sprawl and take over every inch of space they can cover with a sense of entitlement that makes you want to shoot them all.

There is so much in this show to fire your pulse and give your trigger finger extra itch. A post-Katrina New Orleans scene, skeletons everywhere, climbing the ivy, while the whole city drowns. Another with a band tuning up and playing knee deep in water while someone in an adjacent bed is visited by Death himself.

From the press release for the show: “Lo Russo completed the vast majority of these new works in an intense three month period of isolation in an attic in Texas. She is self taught as an artist and lives in Brooklyn. NOTE: Cumbre Vieja is a massive volcanic ridge in the Canary Islands. So fractured by previous eruptions, it could break off completely with any new activity. And though it’s real threat is hard to determine, some scientists say the breakage could cause a megatsunami that would could destroy major cities in Europe, Africa, and the United States’ East Coast.” See this show. You will leave validated. And ultimately richer whether you have the means to purchase anything here or not.

[Postscript – after a vibrant run on Ludlow St., 31Grand Gallery shut its doors in 2009. One of the owners moved on to the reliably edgy Black and White Gallery in Chelsea].

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March 8, 2008 - Posted by | Art, Reviews | , , , , , , , , , , ,

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