Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review from the Archives: Miss Elixir at Rubulad, NYC 6/15/03

[Editor’s note: more new stuff tomorrow. Til then, here’s another oldie but a goodie]

The keyboardist/songwriter now known as Miss Elixir advised her fan base that she’d be performing around midnight: miracle of miracles, a shockingly quick L train made the trip from Williamsburg to the west side in 15 minutes. This time around the venue for this long-running traveling party was the Altman Building in Chelsea, three floors of fire twirlers, circus performers and random vendors selling everything from sweets to what was purportedly absinthe (it was green). It took forever to get inside and negotiate the labyrinthine space, finally finding the stuffy, unventilated, scorchingly hot side room where the performance would take place. Drink tickets for everyone; the singer nonchalantly addressed the audience holding a deuce deuce of Colt .45. There was an ice machine in the back of the room, and one of the clowns (the real kind, like you’d find at a carnival) who was apparently part of the show began throwing ice cubes at everyone, then sprinkling the crowd with ice water. It didn’t take long before everyone joined the fun. Finally, Miss Elixir – the only one who wasn’t drenched at this point – went back behind her electric piano and delivered a brief but frequently riveting show, accompanied by a talented multi-instrumentalist alternating between violin, guitar, accordion and a mini-glockenspiel built into his carrying case. The two played well, making the frequently jarring, horror-movie cascades in several of Miss Elixir’s artsy, pensive, somewhat Siouxsie Sioux-esque songs seem effortless, her vocals unaffectedly calm in stark contrast with the drama and intensity of much of the music. She closed with a pretty pop song that went over especially well with the audience, who persuaded her to do an encore. So she played it again.

[postscript: Miss Elixir still plays the occasional show in and around the New York area]

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June 15, 2008 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , | Leave a comment

Concert Review from the Archives: Leonard Cohen at the Paramount Theatre, NYC 6/14/93

An enjoyable show from the legendary, self-appointed prophet of doom. His nondescript soft-rock band could have been backing anyone from Patricia Kaas to Neil Diamond, but was rescued from Lite FM territory by an excellent electric violinist who doubled on keyboards. Cohen switched between acoustic guitar (he plays impressively well, with a distinctly Mediterranean flavor) and electric piano.They did Bird on a Wire early, fleshed out by the band: since Cohen’s voice is shot, he has two excellent female singers to fill out the vocals. They did Ain’t No Cure for Love shortly afterward, as well as the highlight of the night, a somewhat tired yet still haunting Everybody Knows. The new apocalypse anthem The Future was excellent, as well as Democracy in America, which went over very well with the surprisingly young crowd. Cohen’s music-box electric piano on Tower of Song (sung syncopated, to powerful effect) was as macabre as could be expected. Closing Time was the first of the encores, a rousing, even danceable rendition. All in all, a slightly spooky trip through a universe of decay, despair and sex. No wonder he’s so popular again.

June 15, 2008 Posted by | Live Events, Music, New York City, Reviews | Leave a comment