Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review from the Archives: Leonard Cohen at the Paramount Theatre, NYC 6/14/93

An enjoyable show from the legendary, self-appointed prophet of doom. His nondescript soft-rock band could have been backing anyone from Patricia Kaas to Neil Diamond, but was rescued from Lite FM territory by an excellent electric violinist who doubled on keyboards. Cohen switched between acoustic guitar (he plays impressively well, with a distinctly Mediterranean flavor) and electric piano.They did Bird on a Wire early, fleshed out by the band: since Cohen’s voice is shot, he has two excellent female singers to fill out the vocals. They did Ain’t No Cure for Love shortly afterward, as well as the highlight of the night, a somewhat tired yet still haunting Everybody Knows. The new apocalypse anthem The Future was excellent, as well as Democracy in America, which went over very well with the surprisingly young crowd. Cohen’s music-box electric piano on Tower of Song (sung syncopated, to powerful effect) was as macabre as could be expected. Closing Time was the first of the encores, a rousing, even danceable rendition. All in all, a slightly spooky trip through a universe of decay, despair and sex. No wonder he’s so popular again.

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June 15, 2008 - Posted by | Live Events, Music, New York City, Reviews

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