Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Amanda Thorpe and Serena Jost at Banjo Jim’s, NYC 10/1/08

This show managed to be informal and off-the-cuff yet virtuosic, like what VH1 seems to be shooting for when they put together a stripped-down, acoustic “Live from Abbey Road” type program. They should have been on hand for this one, considering that Bedsit Poets frontwoman Amanda Thorpe and Serena Jost are two of New York’s top tunesmiths. Oops, they’re not on some huge corporate record label. Better to get Justin Timberlake and John Mayer instead. J-Ti (was that Lou Perlman’s pet name for the moppet?) can play Chopsticks while Mayer noodles innocuously in the background between commercials. All cynicism aside, Wednesday night the few who braved the rain and the construction work going on all the way down Avenue C were treated to a clinic in great songcrafting.

 

The two women traded off songs, each accompanying the other. Sometimes that meant Jost improvising a slinky bassline on her cello, or Thorpe doing the same on her guitar. Thorpe also played a small synth on one of Jost’s songs. They both sang gorgeous harmonies (even though Jost was under the weather and running on fumes), each lending something of her own personality to the other’s work. It was just beautiful to watch, plain and simple. British expat Thorpe is best known as a singer. Her writing is characteristically terse and direct and has considerable bite. When she sang “There is no mercy this time,” in what could have been the night’s best number, The River Song, a bitter heartbreak ballad, there could be no doubt that she meant exactly what she said. Jost, by contrast, is best known for her work as a sidewoman and multi-instrumentalist (she did an extended stretch in Rasputina). Her songwriting is more opaque, and felt the benefit of Thorpe’s clear, steely harmonies. Likewise, Jost’s playful flourishes added gleam and shimmer to the austere beauty of Thorpe’s songs.

 

Both women debuted new songs. Thorpe’s was a bouncy, upbeat bossa number. Jost reminded what a fine guitarist she’s becoming on yet another of her disarmingly complex art-pop songs, and did another accompanying herself with warm, loping runs that she plucked on her cello while Thorpe filled out the melody with spot-on harmonies. Jost also played piano on one song. The only thing missing was their pal Mary Lee Kortes, the Mary Lee’s Corvette mastermind who’s been playing with them recently. As fascinating as this show was to watch, one can only imagine how much another great songwriting voice would add to the equation.

 

Thorpe’s next show is at the Cutting Room on Oct 21 at 7:30 with the Bedsit Poets, playing the cd release to their remarkably multistylistic new one, Rendezvous. Powerpop legend George Usher opens, solo acoustic. Watch this space for Serena Jost’s next performance.

October 3, 2008 - Posted by | Live Events, Music, New York City, Reviews | , , , , ,

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