Concert Review: Brazz Tree, Metro Strings and Alessandra Belloni & I Giuliari di Piazza at Drom, NYC 1/12/09
The APAP annual shindig AKA the booking agents’ convention usually creates a decent handful of extra-interesting double and triplebills around town, and this was one of them, starting out funky and fun and ending up completely hypnotic. The star of the early evening was violinist/songwriter Mazz Swift, who played with both opening act Brazz Tree as well as Metro Strings, the quintet who followed, and showed off the rare kind of talent that will probably outlast both bands. A gifted, fiery violinist with a casually soulful vocal delivery, her strongest suit is her tersely crystallized songwriting and particularly her lyrics. Randi Russo is the most obvious comparison, in spirit if not stylistically: the two share a gift for a savage, offhandedly apt turn of phrase and a defiant, nonconformist sensibility. You’ll be hearing a lot more about her in less obscure corners than this.
In a too-brief set with Brazz Tree, she was accompanied by a talented acoustic guitarist and a drummer who played one of those electrified wooden drum boxes that were all the rage about ten years ago and strikingly replicate the sound of a fullsize kit. Their first song, Out of Time sauntered along on a haunting Middle Eastern inflected riff. Then the guitarist artfully lay down a loop and they continued in a similar vein with a new one titled Everyone Will Be a Star, a snide commentary on reality tv and the cult of celebrity. The rest of the show was a mixed bag: on several occasions, the guitarist had the chance to go for the jugular and really nail a phrase or bring a chorus to redline but each time he backed away into generic Dave Matthews-esque open chords. That may resonate with the hacky sack crowd now, but when Dave finally hangs up his guitar and goes off on the hacky sack senior tour, those cliches won’t cut it anymore. The guy obviously has the chops to do more, as he proved throughout the set and on the trio’s closing song, a darkly funny hard-times anthem with a wickedly catchy, upbeat chorus. They’re off on the college circuit at the moment, with a stop back here at the National Underground at 11 on Jan 31.
Metro Strings seem to want to go in the same direction as the Turtle Island String Quartet (they augment theirs with a drummer) but don’t yet have the material. Of their brief seven-song set, only a Swift composition, a bouncy yet reflective number perhaps titled Shine On, stood out from the group’s soporific if cerebrally orchestrated pop and bombastic yet emotionless ELP-inflected prog rock.
Noted Italian percussionist/singer Alessandra Belloni and her all-female trio of dancer/singer/percussionists I Giuliari di Piazza were a striking contrast with the ornate feel of the previous two acts: one wouldn’t think that simply vocals and percussion would be enough to hold an audience for a full forty-five minutes, but they did that and then some. As the lights onstage went down, it was as if the crowd had been transported to a secret clearing somewhere in the Piemonte to witness some wonderfully obscure, mystical ritual. Alternating between high, eerie incantations and earthy folk melodies and playing a small museum’s worth of percussion instruments, they wove a sonic web not unlike another very popular vocal group, le Mystere des Voix Bulgares. As head spell-caster, Belloni was so wrapped up in the music herself that she’d back off the microphone, eager to launch into the next song, even as she announced what it would be. In addition to melodies from various parts of Italy as well as Brazil and a couple of impressive solo turns from band members, their dancer whirled through the club, finally dragging a couple of audience members out on the floor as the drums and voices wailed high overhead. It was a performance that was as physically gripping as it was sonically captivating, even psychedelic. Belloni will no doubt be back in New York before long; watch this space.
No comments yet.