Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Palmyra Delran at Arlene’s, NYC 3/26/09

This is the kind of band you see in a bar and suddenly an hour has elapsed and you’re still there watching them. More specifically, this is what happens when you give very simple songs to very intelligent people. What Palmyra Delran plays in this band and with the newly reformed (and reportedly reinvigorated) Friggs is your basic nuts-and-bolts, riff-driven garage rock. Barre chords on the guitar, rhythm four on the floor, verse/chorus/verse/chorus/solo/verse, maybe an intro or an outro if you’re lucky. Amazing how they made it sound so fresh. One of the not-so-secret secrets of this band is how much everybody listens to each other, Delran passing the baton along to her lead guitarist, then to the bassist and back again while everybody added a part that meshed like a Turbo Hydramatic (that’s vintage rockspeak for automatic transmission). For music with orchestration this good, you usually have to go to a place like Carnegie Hall.

 

They opened with a hotrod instrumental driven by Delran’s Fender Jazzmaster. There’s bite, growl and sinew in her playing, dirty enough to keep you guessing but always there to grab the song if it needs grabbing. The night’s first vocal number was a noir 60s flavored rocker possibly titled Drag You Down: “Learn to crave what will hurt you, you wanna know what’s on the other side…she digs the ride,” Delran sang with not a little sarcasm. The fast backbeat number Shy Boy swung along over a gorgeous four-chord hook, Delran pogoing and driving the band along: “Nobody can get close to you, even if you want them to.”

 

The lead player – on a beautiful black Gibson SG – rattled off a ferociously good, chord-fueled solo on a simple but potently anthemic number that sounded like something Stiv Bators probably would have wished he’d written. Then the whole band went up in flames together on the solo on another ridiculously catchy garage-pop song. Then it was the bass player’s turn to feed the inferno as Delran sardonically reminisced how “one more heart goes down the drain.” They wrapped up the set with a blazing version of the surf-inflected Love Has Gone Away from Delran’s new cd, drummer Nancy Polstein aggressive but counterintuitive with those Mel Taylor beats like she’d been doing all night. It was SG guy’s birthday, so the crowd converged in two directions, on him and Delran, the minute the show was over. What a fun way to keep the night going. Watch this space for future shows by Delran and her band; on an auspicious note, she plays with the Friggs on what promises to be one of the great doublebills of the year, May 8 at Santos Party House at 7 PM, opening for the recently regrouped Chrome Cranks.

 

A stop into the Delancey earlier in the evening provided not only shelter from the nasty drizzle but also a sneak preview of some new Botanica songs. As usual, Paul Wallfisch, host of the weekly Small Beast series here, opened the night solo on piano. He stripped down the big audience hit Someone Else Again to a skeletal yet elegant swing, ran through a couple of brand-new songs – one darkly anthemic and Nick Cave-ish, another, possibly titled New Girlfriend, with a noir cabaret tinge – as well as a PJ Harvey cover, a French waltz and a couple of trips into the vault – or crypt, if you will – for some older material. Because this guy’s there every week, the temptation is to take him for granted. Don’t. While it lasts, carpe noctem.   

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April 2, 2009 - Posted by | Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , ,

1 Comment »

  1. Yeah, I enjoy their music and that SG guy is super sexy!

    Comment by Rachel Gibbs | April 2, 2009 | Reply


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