Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Lenny Molotov at Pete’s Candy Store, Brooklyn NY 4/17/09

Recently we tagged Will Scott’s Wednesday residency at 68 Jay St. Bar in Dumbo as the best weekly blues show in town, but there’s another player that blues fans should keep their eye on and that’s Lenny Molotov. While Scott is taking Mississippi hill country blues (think R.L. Burnside or T-Model Ford) to new and interesting places, Molotov is doing the same with delta blues and the kind of sophisticated, jazzy stuff Josh White or Charles Brown were doing in the 40s and early 50s. Friday night with his quartet he unveiled a whole slew of new material edging closer and closer toward jazz as so many virtuoso guitarists do once they’ve mastered blues as Molotov has. Playing acoustic and backed by JD Wood on standup bass, Jake Engel on chromatic harp and Ray Sapirstein on trumpet, Molotov’s virtuosic playing and imaginative melodies vividly evoked a raucous speakeasy milieu, with lyrics exploring eras from Prohibition to the here-and-now.

 

“Where’s my capo?” Molotov wondered aloud.

 

“It’s on your headstock,” an audience member reminded him.

 

“I like to use two. It never hurts to be too careful,” Molotov slyly explained as he and the band launched into a snazzy, updated version of Brother Can You Spare a Dime:

 

I used to work at Goldman Sachs

And drank the finest wine

Now I sit around smoking crack

Brother can you spare a dime?

 

Molotov is a boxing fan, and a couple of the newer, more polished numbers worked that territory. The most recent one, he said, was inspired by a Sonny Liston suggestion that the ideal boxing song would feature “soul guitar, harmonica and trumpet,” and this one snidely addressed mob corruption in the sweet science, trumpet and harp indulging in a playful call-and-response that built as it went along. The last number built to dixieland pandemonium with the harp and the trumpet going full-tilt. Molotov’s gotten plenty of ink here, because he’s good, and because his new material is so strong, you’ll no doubt be hearing more about him here in the future. Watch this space for upcoming NYC dates.

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April 20, 2009 - Posted by | Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , ,

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