Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Tift Merritt at Stuyvesant High School Auditorium, NYC 7/1/09

You heard it here first: Tift Merritt is the future of American pop music. What she sings isn’t particularly edgy, but it’s not stupid. Last night the North Carolina-bred songwriter made fun of the promoters who’d moved her scheduled show at Rockefeller Park indoors even as the sky was clearing. She was spooked by the prospect of playing in a high school: “Not a good time,” she recalled, practically shuddering. Which made sense. As catchy and warmly accessible as her songs are, there’s a welcome intelligence in her writing, and her voice is a dead giveaway. Her songs come across as something of the missing link between Sheryl Crow and Aimee Mann (Merritt loves those major/minor changes that Mann works so masterfully). Vocally, Linda Thompson is the obvious comparison. Merritt’s recorded work plays up her stoic resignation and haunting sense of nuance, her voice sometimes dropping off the table for dramatic effect much in the style of  the legendary Britfolk chanteuse; last night she also showed off a grit and a liveliness that doesn’t always cut through in the studio.

Playing solo, alternating between acoustic guitar and electric piano (and electric guitar on one song), she won over a tough crowd with casual charm and one memorable tune after the next. As Roscoe Ambel famously said, if a song sounds good at its barest, stripped down to just guitar and voice, it’ll sound great with a band. Much of what she played could have been ecstatically fun with a good crew behind her – you know how much musicians love a smart, intuitive tune. Using just your typical building-block major and minor chords, she introduced three new songs along with several from her most recent studio cd Another Country. Of the new ones, the best was a fast yet pensive backbeat-driven number exploring the theme of finally figuring out to what to do once you’ve gotten what you want after years of searching high and low. Of the less brand-new songs, Broken, a vivid, bitterly soaring anthem evoking the struggles of her early days in music, packed a punch as did Keep You Happy, with its crescendoing chorus and realization that tying your happiness to another person’s is bound to drag you down there with them. Merritt also impressed with her gospel-tinged piano work on a handful of ballads as well as a bouncy yet somewhat eerie soul-inflected number. She even went up the scale to end one of them with a fun Floyd Cramer flourish. 

In a level playing field without the now-flatlining major labels, Merritt’s success gives hope to a new generation of writers creating accessible yet intelligent pop music, Ward White, Kirsten Williams, Nicholas Howard and Sharon Goldman among legions of others. Merritt is based in New York now, so we ought to see more of her in the months to come which promises to be a treat considering what a songwriting roll she’s on right now.

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July 2, 2009 - Posted by | Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , ,

3 Comments »

  1. Kick ass review!! Loved it!! Been a BIG fan for a couple of years now. Can’t seem to get her back to the MPLS area though. PLEASE COME BACK!!

    Comment by Paul B. | July 3, 2009 | Reply

  2. Great review, but I think she played on July 1st, not July 2nd.

    Comment by Derek | July 3, 2009 | Reply

  3. correct, she did play 7/1

    Comment by delarue | July 4, 2009 | Reply


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