Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Jay Cloidt/Amanda Moody – D’Arc: Woman on Fire

Like something of a hybrid of Rasputina, Diamanda Galas and This Mortal Coil, this is a timely, imaginative update on the Joan of Arc legend. Actress/chanteuse Amanda Moody’s stage show casts Joan as intercessor in the troubled life of Joanne, an agoraphobic whose daughter has just disappeared in an unnamed, wartorn foreign country. Somewhat obliquely, it’s a telling parable about violence and redemption or lack thereof. Esssentially, this cd, distributed by the esteemed Starkland label, is the soundtrack album, Jay Cloidt’s orchestration alternately haunting and atmospheric with layers of keyboards and a lush string section featuring Kronos Quartet cellist Joan Jeanrenaud. Moody’s voice is as dramatic as one would expect here, ranging literally from a whisper to a scream. 

The opening track, hypnotic with stark, plaintive strings, quietly and assuredly implores a young soldier to go home. Two poignantly atmospheric chamber pieces set the scene for the frantic, anguished, goth-tinged If I Leave the House, cellos ablaze as they reach a shrieking crescendo. After Prayers, macabre vocalese over ambient washes of sound, layers of strings and keys, there’s the stomping Born in Blood, like Siouxsie done ambitious, 80s performance-art style. The rather sarcastically gospel-tinged 10,000 Silver Doves recasts the Joan of Arc execution as a present-day murder. Miracles, a stark aria, sees the narrator sardonically and bitterly remembering her dead daughter as an infant. Surprisingly, the show ends not with a screaming crescendo but with the vivid wartime ballad Born for This. While Cloidt and Moody are best known for their work in the  avant garde, this album is as accessible as it is potently relevant.

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July 13, 2009 - Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , ,

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