Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Samba Touré – Songhai Blues

This is an exciting album for desert blues fans fans and fans of West African music in general. Malian guitarist Samba Touré‘s obvious influence is Ali Farka Toure (no relation), with whom he toured internationally as a guitarist in the late 90s. Yet Samba Touré’s got his own, uniquely individual style. It’s more upbeat than the Tuareg music of Tinariwen and their brethren, with a light touch and considerably more speed than most desert blues players, although Samba Touré pretty much eschews chord changes. Likewise, the instrumentation on this new cd is imaginative, drawing from traditional Malian music and including sokou (traditional violin), gnoni (four-string guitar), flute, and electric bass along with a small army of percussion. What’s also notable about this release is how the interlocking layers of guitar work off each other, and how they work within the interplay of the other instruments. Desert blues is one of the world’s most psychedelic styles of music, but this really takes it to another level. The lyrics are in Touré’s native Songhai.

The opening track – a call for unity and celebration of the diversity of Malian ethnicities – is characteristically hypnotic, sokou swirling around Toure’s electric guitar. Lyrically nostalgic, the cd’s second cut is slinky, ringing, fast desert blues with flute and a gorgeous mesh of ringing guitar layers. The third track has call-and-response vocals and a bit of a crescendo, the bass and sokou rising out of the mix like a fish leaping from the surface of a lake, and it’s adrenalizing.

Some of the other numbers work a repetitive, circular riff over and over (these are long songs, most of them clocking in at six or seven minutes). A celebration of Malian identity works off a theme that will be familiar to all Ali Farka Toure fans. There’s also an insistent, clanging number that gives a shout-out at the end to Touré’s mentor, a slight departure into funk and a vivid, fullscale tribute to Ali Farka Toure that ends the album. Somewhere an icon is smiling.

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August 25, 2009 - Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , ,

1 Comment »

  1. […] 8. Songhai Blues: Homage to Ali Farka Toure – Samba Toure (Mali) (Review) […]

    Pingback by Boston Public Library African Music Audio Collection – New CDs Ordered (8/14/09) « World Music Boston | August 29, 2009 | Reply


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