Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Tim Kuhl – King

Drummers don’t usually get credit as bandleader even though in the purest sense of the word they are – the good ones anyway. So maybe for that reason drummer-led ensembles tend to be especially good. This one is no exception. Tim Kuhl’s second album takes the warm accessibility of his first cd Ghost and raises it a notch: as melodic, interesting jazz cds go, this is one of 2009’s more memorable efforts. Quite possibly this is enhanced by the presence of Jon Irabagon (winner of the most recent Thelonious Monk Jazz Competition) on tenor. He’s unpredictable in the best possible ways, often very deviously (especially in his work with Mostly Other People Do the Killing) – here, he alternates between straightforward, buoyant melody and frequent cloudbursts of bop. Guitarist Nir Felder‘s thoughtful, deliberately paced, contemplative phrasing is equally interesting and often generates some striking contrasts. Kuhl and bassist Aidan Carroll keep things moving forward tersely while trombonist Rick Parker layers alternately bright and murky shades.

The first couple of tracks segue into each other, Irabagon taking it toward bop, the guitars then creating what is in effect a horn chart with some deliciously interesting textures. Track three features Felder in characteristically expansive mood, Carroll echoing him aptly, followed by a stately, vintage 50s horn passage. Track four is darker, more pensive, guitar thick with sustain and reverb with an early 70s feel, Parker leading the procession as tension builds, hinting at rage but never going there.

Irabagon squeaks and shimmies over a low rumble, then the intriguing sixth track kicks in. Much of it is essentially two simultaneous pieces going in opposite directions, brought back together brightly by Irabagon. And then a lull, a sprightly Felder solo, into and then out of focus. The cd’s concluding cuts have Parker contributing both nebulous and bracing ambience, Felder chasing a Carroll rumble, some Bill Frisell-isms, a low, expressive Irabagon solo that literally jumps out of nowhere, a big, sunbaked blues guitar interlude and a surprisingly off-kilter ending. It would be wishful thinking to hope that someday jazz might reclaim its place as the western world’s default pop and dance music (which it was for decades), but this is the kind of jazz that could make a fan out of  just about everyone: it’s catchy, it’s mostly upbeat and the groove doesn’t quit. And you can see it live: the Tim Kuhl Group are at Zebulon on 9/15 at around 10.

September 2, 2009 Posted by | Music, music, concert, review, Reviews | , , , , , , , , , , , , , , | Leave a comment

Song of the Day 9/2/09

Every day, our top 666 songs of alltime countdown gets one step closer to #1. Wednesday’s song is #329:

The Dream Syndicate – Boston

Of all the great anthems Steve Wynn has written, this is one of the best, still a concert favorite over 20 years since the studio version was released on Out of the Grey. From those two crashing chords that open it, it’s intense all the way through to the la-la-la outro that the band often uses as an excuse to go crazy. A million versions out there: here’s a good one with too much bass; here’s another (contrary to what the page tells you, it’s not the take from the excellent 1989 Live at Raji’s cd).

September 2, 2009 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment