Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: The Somebodies’ Christmas Show 12/16/09

You know a band has to be good if they can keep a smart crowd entertained with a bunch of Christmas songs. Let’s face it – Christmas music sucks, bigtime. Almost as much as Nickelback or Lady Gag. In fact, the only holiday music that’s any good is the non-Western stuff: Diwali, Passover, Ramadan. And of course Halloween. But the Somebodies – with a lot of help from some good friends – had obviously really worked hard on putting together a theme night that in a lesser group’s hands would have been pure schlock.

The band’s sound is concretized sometime in the 80s: their faster stuff has a scurrying new wave beat; the anthems look back to a time before grunge, before hair metal, in fact, when you were supposed to sing them casually, unaffectedly, without any cliches. But they didn’t play any of those. Usually the bass carries the melody, as Graham Maby used to do on Joe Jackson’s early albums. Their three originals in their set list at Lakeside on the sixteenth included a brisk, punchy pop number that would have made a good b-side to What I Like About You, another with a propulsive, melodic reggae bassline that went doublespeed on the chorus, and the last song of the night, where bassist Luke Mitchell got  to go deep into his bag of chops for some slinky slides, hammer-ons and fat, boomy chords. And these were all well-received, but it was the holiday stuff that made smiles out of winces.

They started with the Eric Carmen weepie (and Rachmaninoff ripoff) All By Myself, just Mitchell and drummer Phil McDonald who gave it the most deviously deadpan vocal you could want. Then frontman/guitarist Pete Derba joined them for Feliz Navidad, which in his hands was basically the same lyric over and over again. That was mercifully over fast. Dylan Keeler of the Disclaimers took a reluctantly amusing turn as Elvis impersonator on Santa’s Back in Town; later, Derba did Blue Christmas back into deadpan territory with some help from a ringer chorus on backup vocals. Kate Thomason and Naa Koshie Mills – the duo who give the Disclaimers their signature soul sound – did a lighthearted rap number, and later a Christmas soul song from the 60s. For her absolutely sultry cover of Eartha Kitt’s Santa Baby, Mills peeled off her shiny fake fur coat to reveal an equally shiny 60s cocktail dress and then brought down the house.

Keeler and his fellow Disclaimers guitarist Dan Sullivan gave Santa Claus Is Coming to Town a sublimely ridiculous Blues Brothers vibe, Sullivan doing most of the jumping and kicking around in front of the stage: “He knows when you forget the lyrics,” he deadpanned. But the most affecting moment of the night was when Jerome and Susan O’Brien of the Dog Show led the crowd in an acoustic singalong of So This Is Christmas. “War is over, if you want it…” If only this year’s Nobel winner could have been there, he undoubedly would have a good time, notwithstanding this timely reminder of how little has actually changed since that auspicious day in November of last year.

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December 23, 2009 - Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , ,

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