Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: The Disclaimers at Spikehill, Brooklyn NY 1/2/10

Half past midnight Saturday night, Bedford Avenue, Williamsburg, coldest night of the year. Even Anna Maria Pizza is practically empty. It’s an omen. This is our decade and this is part of the soundtrack. The Disclaimers are waiting onstage for the sound guy, who looks like he really knows what he’s doing, to finish checking all the mics. The hi-hat clutch has disappeared from the drum kit, then miraculously reappears. And they’re off.

It’s like being in college, seeing a favorite band for the first time. All the hits. The audience is pumped, old friends in the crowd materialize out of nowhere. Happy New Year, long time no see! The band starts with Stay out of My Nightmares which is in a way self-explanatory; no big violin buildup on the intro or outro like they usually do but that’s ok.

Under the Belly of the 7 Train is a behemoth, a careening surreal Syd Barrett style chromatic art-rock monstrosity alive with danger swirling around in the shadows beneath the ironwork.

An apprehensive backbeat-driven country anthem is a dead ringer for the Walkabouts. It’s relatively new. Kate Thomason does her best understated avenging angel impression on the mic, “Stranger in this stranger’s land.”

Lead guitarist Dan Sullivan sings Damage, all organ and jangly Dylan guitar and soul girl harmonies, cynical vintage r&b flavor, “Not even the damage gets done.”

Absolution has a casual sexy soulfulness on the verse, Naa Koshie Mills’ trombone leading into the anguish of the chorus, Kate’s wounded vocal – “Rips me apart!!”

Next is a big riff-rocker that sounds like X with blues harp – down to Andy Nelson’s growly bass groove, and then a cold ending.

“She’s going for sultry,” says drummer Phil McDonald who seems to be the band spokesman tonight. Naa Koshie nails a new song, an artsy, resigned, beautifully Beatlesque ballad. And another new one, an anthem, Tell Me What You Want, sweet major/minor changes.

Out of Sight, Out of Mind is an old garage rocker of theirs – “not again not again not again not again” – Dan sings this one.

Strat player Dylan Keeler sings Just Desserts. It sways along on Dan’s organ riffs -“If you’re gonna write a suicide note you should at least spell all the words right.”

Phil: “Love in the back seat.” Kate:”And ice cream.” The big soul ballad’s not quite as much a showstopper as it was the last time out but it’s still impossible to turn away from: “How can you give up something so sweet?” Kate won’t let it go without a fight.

Tiptoe is ferocious when it gets to Dan’s unhinged Leslie speaker solo – he breaks a string but keeps going. Actually he’s not using a Leslie, just a wah turned wide open for a chorus box effect.

They’ve got a theme song now! “We’re the Disclaimers!” Long build to a cold ending. Up front where the drums and the guitar hit you in the chest, the sound is intoxicating, this is why people come out in the cold in the wee hours. This is why we live here instead of somewhere else. Saturday night, ground zero in Williamsburg, and there’s not a single trendoid or tourist to be seen anywhere.

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January 4, 2010 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , | Leave a comment

Song of the Day 1/4/10

Every day, our Top 666 Songs of Alltime countdown gets one step closer #1. Monday’s song is #206:

The Grateful Dead – Bertha

The prototypical janglerock anthem, the Dead at their best and tersest – what a killer riff. Bertha (probably not her real name) was a groupie; this is an understated message to her to stay the fuck away. Look for a bootleg (and avoid the debacle on the Steal Your Face album) – may we suggest Sept 1991 at Madison Square Garden? Or else check archive.org.

January 4, 2010 Posted by | lists, Lists - Best of 2008 etc., Music, music, concert, rock music | , , , , , , , , , , , , , | 1 Comment