Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Gato Libre – Shiro

“Our fourth cd release,” says Gato Libre trumpeter/bandleader Natsuki Tamura, “Is largely thanks to Otoya-Kintoki, the live house where we play in Nishi-Ogikubo, Tokyo. As soon as we finish a performance there, regardless of whether customers showed up or not (usually the latter), the couple who run the place always ask us, ‘When can you play here next? Do you have an open date next month?’ To which I say, ‘Are you sure that’s all right with you? Hardly anyone ever shows up at our gigs.'” Bless the folks at Otoya-Kintoki for sustaining this excellent if not exactly popular instrumental quartet. Besides Tamura, the band features Satoko Fujii on accordion, Kazuhiko Tsumura on acoustic guitar and Norikatsu Koreyasu on bass. Another thing that stands in Gato Libre’s path to worldwide recognition is how diverse and genre-smashing they are. Although they’re all accomplished (and actually famous) jazz players, this particular band blends elements of flamenco, Middle Eastern, gypsy and rock music into a fearlessly improvisational free-for-all. It works because it’s all about atmosphere, there’s a tight chemistry between band members, and Tamura’s stunningly terse, catchy themes make such a good basis for jams.

The first track is a perfect illustration: simple variations on a minor chord, plaintive accordion segue into brisk flamenco-flavored modal tune, accordion acidically shadowing the guitar’s nimble runs, incisive Arab-inflected trumpet solo and a big flamencoesque chordal crescendo as a trick ending. The next cut lets the bass state a thoughtful theme which then rises ominously with a series of crescendos and then an otherworldly jam where everybody goes off to a cabaret of the mind. The aptly titled Falling Star is stark and gypsy-tinged, highlit by a terse modal conversation between guitar and bass. Going Back Home is a swinging Balkan dance that Fujii slowly ushers outside into the netherworld where the rest of the band join her – Tamura offers up a sad flamenco solo, and then they’re off to the races again.

Mountain, River, Sky is essentially a country song, bass introducing the theme and then counterintuitively carrying the lead for most of its eight minutes; Memory of Journey [sic] sends a stately levantine dance further south on a tricky, rhythmic West African tangent followed by the most overtly post-bop passages on the album. The album wraps up with the warmly bucolic title track, evocative of the jazz/country hybrids of Jeremy Udden or Bill Frisell. Gato Libre may not be very popular but they’ve managed to put out one of the best albums of the year, one that will resonate equally well with fans of Balkan and gypsy music as well as adventurous rock and jazz people.

March 12, 2010 - Posted by | jazz, Music, music, concert, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , , , ,

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