Concert Review: Gail Archer Channels Bach on the Organ, 3/14/10
Gail Archer may be a big name on the organ recital circuit, but she approaches performance like a DIY rocker. At her concert Sunday on the mighty, midrange-enhanced organ at St. Michael’s Episcopal Church uptown, she could have stayed up in the console waiting for the signal to begin. Instead, she was downstairs handing out postcards for her next show and greeting people with unselfconscious enthusiasm. The minute she got started, a little girl about six years old in the front row started dancing in her seat. The piece may not have been the ode to joy but it was some kind of ode to joy, and the girl knew that instantly. And so did Archer. The dance was in waltz time, actually, Bach’s Prelude and Fugue in C Minor, BWV 547, ablaze with optimism and good cheer, establishing the triumphant tone that would resonate throughout the show.
In recent years Archer has pushed herself from one radically dissimilar genre to another, from the American composers on her felicitously titled American Idyll cd, to her landmark recording of Messiaen last year, to this year’s new release Bach the Transcendent Genius. Like the composers she chooses, Archer’s playing spans the range of human emotions – with Bach, there’s always plenty to communicate, but this time out it was mostly an irresistibly celebratory vibe, whether on the Sonata in G Major (BWV 529) or a terse and amiably direct take on the Passacaglia and Fugue in C Minor (BWV 582). She turned the Adagio of the Concerto in C Major (BWV 594) into a dizzyingly mesmerizing exercise in natural reverb, playing at exactly the right tempo where the counterpoint echoing off the walls became part of the performance, playing along as its own metronome (she did the same thing with Messiaen last year, at a much slower pace, at St. Patrick’s and the effect was equally perfect if completely different moodwise). By the time she got to the big showstopper, the Prelude and Fugue in E Minor (BWV 548), there was nothing to do but to blaze through, her tightly glistening, festively romping cascades earning her a roaring ovation at the end. By now the girl in the front row had stopped dancing, although she’d remained with her face to the organ for most of the show. Maybe years from now she’ll be the one in the console, playing to yet another generation who know joy when they hear it.
Archer’s next New York recital is April 21 at 7:30 PM on her home turf at the sonically gorgeous St. Paul’s Chapel at Columbia, 116th and Amsterdam.
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