Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: Brandon Wright – Boiling Point

Good title. Tenor sax player Brandon Wright’s new album is fearless, aggressive and fun, ablaze with a catchy tunefulness that sets up a lot of memorable solo work of his own along with trumpeter Alex Sipiagin, pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson propelling things with a joyous groove. Yet for all the firepower, the band is equally adept at ballads, with a couple of real surprises here. A Maria Schneider, Mingus Big Band and Chico O’Farrill alum and current Chuck Mangione sideman, Wright is a hookmeister: his big band experience has served him well.

Wright sets the tone right off the bat with Free Man, joyously shifting from one mode to another. Sipiagin follows him more bluesily, then Kikoski intensely with some clever quotes in a shifting series of runs down the scale. The second cut, Drift is a casually lyrical 6/8 number, Kikoski weaving incisively beneath Wright’s gently buoyant flights, Sipiagin taking a more pensive tone. Track three, Odd Man Out has an understated swing that picks up once Wright starts sailing after the first verse, Kikoski choosing his spots with spot-on precision. Again Sipiagin gets to play bad cop to Wright’s good cop, bringing in the clouds. The title track matches subtle chordal shifts to an upbeat vibe all the way through to a blazing conclusion, Wright just about jumping out of his shoes, he’s having such a good time. Kikoski’s solo is a clinic in how to work a simple vamp, subtly yet ebulliently ornamenting it. And the swaying, latin-tinged Castaway is a showcase for robust Sipiagin flights and cartwheels, Wright taking it down a bit before Kikoski’s sparkling solo leads it to an ambitiously staggered horn raveup at the end.

There are also three covers here. Jimmy Van Heusen’s Here’s That Rainy Day is just sax and piano, a comfortably medicated dialogue. Interstate Love Song rearranges the country-flavored Stone Temple Pilots original to the point of being unrecognizable (good thing, actually, especially when the piano solos). They close with a warmly convivial, bluesy take of Nat King Cole’s You’re My Everything. The album is just out on Posi-Tone.

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April 26, 2010 - Posted by | jazz, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , ,

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