Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

CD Review: The Debutante Hour – The Birth and Death of Meaning

The Debutante Hour play oldtimey-flavored existentialist pop music. Clever and quirky but with an understated angst that sometimes goes straight down into the abyss, their soaring, soulful three-part harmonies deliver deadpan humor that’s sometimes completely black, other times totally absurdist and often hilarious. Their torchier songs remind a lot of Nellie McKay; their darker, more rustic stuff evokes the Dresden Dolls (whose drummer, Brian Viglione, guests here) as well as New York oldtimey stars Bobtown; World Inferno’s Franz Nicolay produced the album, squeezing every ounce of plaintiveness out of the songs. Pianist/accordionist Maria Sonevytsky and cellist Mia Pixley previously played together in indie harmony-pop band the Baby Pool, joined here by songwriter/multi-instrumentalist Susan Hwang. The trio romp, shuffle and sometimes tiptoe through an impressively diverse collection of styles.

There’s a couple of accordion oompah tunes, one a gentle kiss-off to somebody who takes himself a little too seriously, the other titled Watching Carrie Eat. The blackly funny Miracle Birth pokes fun at an impressive display of “origin stories” from around the globe, like the Roulette Sisters with an accordion, and a neat cello solo that leads nicely into guest Jonathan Vincent’s barrelhouse piano. Galax is an ominously chirpy oldtimey Nashville gothic swing tune about a couple on a doomed camping trip – and is that a theremin at the end? Sunday in the Trailer follows in the same vein, but even more creepy and more stream-of-consciousness:

As you pressed my shoulders
I thought of the claws of my feet.
I tried to hide them, but you found them eventually

What’s up with that?

Croak Hiss and Sputter, a swirling New Orleans reel, recounts a surreal road trip:

Wax dripped off the cylinders, frogs chirped like birds
The archive dust got windexed off by archive nerds

A tango, Organizing My Planner For Next Week transcends the mundane with the philosophical:

Can you plan surprises, like hope or skirting inevitable dread
The dread that killed your father, and all your mother’s regrets
That you swore would never get to you because you’re different from them

Other songs here tackle the zen of zombies as well as subatomic theory, along with a country waltz as Kurt Vonnegut might have done it; Scheherezade, which recasts the storytelling girl as a real schmoozer; and the chirpily sardonic Be Yourself:

So even if they assume you’re an Alyssa Milano
And you know you’re more like Jennifer Jason Leigh
Don’t let it affect what you do tomorrow

As much fun as this album is, it’s a likely bet that the band is just as fun live. The Debutante Hour play the Jalopy on June 15 at 8:45 PM, sandwiched between two other first-rate acts, ferocious New Orleans art-rock pianist Lady Baby Miss who kicks off the night at 8 and then irresistibly charismatic, deviously lyrical oldtimey siren Kelli Rae Powell at 9:30.

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June 11, 2010 - Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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