Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Illimanjaro Boils Over in a Good Way

It’s always fun to discover a band as absolutely unique as Illimanjaro. They play a lot of punk and ska shows, but they venture out a lot further than either of those styles. For one, they’re a rare drummer-led rock band, joining the ranks of New Order (on the first album, anyway), Terry Anderson’s OAKTeam, New York rock en Espanol stars New Madrid and of course Moulty & the Barbarians (Phil Collins doesn’t qualify as rock, and anyway he doesn’t play drums anymore, does he?). On their new album Boiling Point, Proph the drummer supplies lead vocals – with bass player Furious George taking over on the sixth track. Pep, their guitarist is a one-man guitar army and a master of a million styles, from ambitious Tom Morello-style metal/funk, to 70s art-rock, to punk, blues and reggae. The songwriting is creative, switching from one style to another in a split-second; the energy level is through the roof. There’s definitely a Rage Against the Machine influence, but Illimanajaro are a lot more psychedelic (and interesting, when you think about it), with tinges of dub and even latin sounds.

The first track is hip-hop over a fiery funk/metal groove and an eerily atmospheric, psychedelic guitar interlude. The eight-minute epic Danger twists and weaves like a cruiserweight, through a surprisingly poppy, catchy chorus, a Santana-esque passage and then down to the rumble of the bass and drums – and then another another endless wall of cumulo nimbus guitar. And then it segues into a woozy but bracing dub-metal instrumental. The fourth track, Born to Believe starts out with a jagged late 80s indie/noiserock vibe, like Sonic Youth at their most focused and then morphs into slashing late-70s chorus-box powerpop with a searing, period-perfect bluesmetal guitar solo. The next song, White Girl Living in Bushwick is a slow jam, a real surprise, dedicated not to a gentrifier from Boca Raton or Lake Wayzata, but to a girl who grew up a little further out in Brooklyn, in Sheepshead Bay who now calls Bushwick Bill’s old turf her home.

The kiss-off anthem 6th Time Around takes a Sabbath-style riff and makes funky dub out of it, like an artsier version of the Bad Brains. The band end the album by taking a stab at making art-rock out of singsongey Warped Tour punk/pop. So many flavors, it’s insane. Illimanjaro’s next gig is at four in the afternoon on the Hell Gate stage at Astoria Park, Hoyt Ave. South and Ditmars Blvd. in Astoria this Saturday the 24th; their next one after that is August 6 at the Silent Barn in Ridgewood.

July 21, 2010 - Posted by | funk music, Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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