Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Patricia Vonne’s New Album Is Worth It and Then Some

Proof that sometimes good things happen to good songwriters. Here in most of the US, Patricia Vonne is ironically best known as an actress who’s made frequent appearances in her brother Roberto Rodriguez’s films. But in Europe and her native Texas, she’s a bonafide star. Her latest and fourth cd Worth It should help spread the word to those not already in the know. Her unaffectedly throaty wail soars intensely and passionately over rich, lushly interwoven layers of guitars that often evoke great Australian art-rockers the Church, but with a disquieting, often hallucinatory southwestern edge. This album is a showcase not only for Vonne’s voice but for Robert LaRoche’s terrifically anthemic, vibrant rhythm and lead guitar- he’s sort of a border-rock version of Keith Richards – along with Rick Del Castillo on guitars, Scott Garber on bass, Dony Wynn on drums and cameos from Rosie Flores, Joe Ely and songwriter Darin Murphy.

The title track opens the album, an edgy, swinging backbeat janglerock anthem that lends a sympathetic ear to the tormented visions of a homeless drug addict. It’s something akin to what the early Pretenders might have sounded like if Chrissie Hynde had grown up in Austin rather than Akron. The no-nonsense, blues-tinged Cut from the Same Cloth is a co-write with Flores, a similarly-minded, edgy Tejana. A gothic flamenco rock en Español shuffle, Fuente Vaqueros evokes the region in Grenada, Spain where Frederico Garcia Lorca famously first saw the light of day.

Vonne maintains the drama and suspense with Castle Walls, muting the flamenco intensity a little by turning  it over to the drums, and then to an incisively bluesy Joe Reyes guitar solo. A new spin on an old myth, El Marinero y La Sirena has Del Castillo’s pointillistic nylon-string guitar mingling hypnotically and eerily with Carl Thiel’s insistent piano. The big concert favorite Love Is a Bounty hitches a swaying country beat and lonesome, bucolic Murphy harmonica to biting, bluesy rock; La Lomita de Santa Cruz, just Vonne’s voice and LaRoche’s reverb-drenched guitar, is a bitter tale of drought and doom.

There’s also a couple of big, terse, tension-driven janglerock anthems along with Cowskulls and Ghosttowns, a blazing Georgia Satellites-style musclecar rocker gone goth, and the wry, cynically amusing backbeat rock anthem Gin and Platonic with her old New York band featuring Kirk Brewster on lead guitar, Scott Yoder on bass and Eddie Zweiback on drums. Yet another great album by one of this era’s finest and most original songwriters in Americana and rock en Español.

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August 18, 2010 - Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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