Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 9/13/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Monday’s album is #869:

Can – Monster Movie

The cult favorite is the German band’s 1971 Tago Mago album, with its hypnotic grooves and assaultive avant freakouts. This is Can’s rock record, a memorably twisted piece of post-Beatles psychedelia from 1969. As with the rest of the band’s output, drummer Jaki Liebezeit absolutely owns this. With his inimitable, hypnotic rattle and pulse, it’s already obvious where he’s going to take this band’s music for most of the next decade. Side one begins with Father Cannot Yell, its weird lyrics, melodic bass, proto-Robert Fripp guitar and motorik rhythm evoking a bizarre cross between the Velvets and Terry Riley (who was a big influence, along with Karlheinz Stockhausen, who served as teacher to both bassist Holger Czukay and organist Irmin Schmidt). Mary, Mary So Contrary is a fractured folk-rock dirge, followed by Outside My Door, an Astronomy Domine ripoff but a good one. The second side is a twenty-minute stoner jam (streaming in three parts, here, here and here), sort of a teutonic In-A-Gadda-Da-Vida edited down from what was reputedly a marathon six-hour studio session. With minimal reverb guitar, trebly bass, creepy Farfisa and Liebezeit’s epic funeral drums, they establish their signature trancey sound after it gets going, particularly when they bring it down to just the bass and the drums and leave it there for what seems forever (you can practically smell the pot smoke drifting in from the other room). Joy Division’s Dead Souls owes its drum riff to this one. Here’s a random torrent.

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September 12, 2010 - Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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