Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 9/15/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Wednesday’s album is #867:

The Chrome Cranks – Live in Exile

The Chrome Cranks were New York’s best band for most of the 1990s before imploding late in the decade. Combining the assaultive, combative riff-driven charisma of the Stooges with the paint-peeling, feedback-riddled, blues-warped guitar of frontman Peter Aaron and lead player William G. Weber and propelled by the potent rhythm section of former Honeymoon Killer Jerry Teel on bass and ex-Sonic Youth drummer Bob Bert, their studio albums blew away the rest of the Lower East Side glampunk crowd but never quite captured the raw unhinged menace of their live shows. But this does. Recorded at the end of 1996 in Holland at the end of a European tour, the band are at the peak of their power. Much as most of their songs are about facing down the end with a sneer, a smirk, a snort or something, this one really has the air of desperation: they knew this wouldn’t last, but they wanted to capture it for those who came after. They open the show with their gleefully ugly signature cover, See That My Grave Is Kept Clean and after that, the song titles pretty much say it all. Lost Time Blues; Wrong Number; Dead Man’s Suit; We’re Going Down. Their practically nine-minute version of Pusherman surpasses even the Live Skull version for out-of-focus, fatalistic fury; the last of the encores is the self-explanatory Burn Baby Burn. Reinvigorated and apparently free of the demons that plagued them the first time around, the Cranks reunited in 2008 with a mighty series of shows in New York and Europe, with the promise of a new album sometime in the future.

September 15, 2010 - Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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