Every day our 1000 best albums of all time countdown continues all the way to #1. Since we’ll be making another quick out-of-town jaunt, here’s Friday’s album, #816, a little ahead of schedule:
The Slits – Cut
We’re trying to avoid duplicating the most obvious choices which have been featured on other popular best albums lists, but this characteristically weird, irreproducible moment from the peak of punk, 1979 deserves a place here: every so often, good things actually become popular and this is one of them. Quirky and often irresistible, the lone album by the original all-female Slits (drummer Palmolive quit before the band could record: the drums here are played with surprising dubwise groove by Budgie from Siouxsie & the Banshees) has been imitated a million times but never duplicated. It’s hard to imagine Bjork without this. What’s coolest about the album is how dubwise it is, smartly and tersely produced by noted reggae bassist/bandleader Dennis Bovell. Frontwoman Ari Up was seventeen when she recorded this – her hybrid German/Jamaican accent is a long WTF moment – and leads the band with an unselfconscious defiance through the sarcastic, minimalist reggae-pop of Spend Spend Spend, So Tough (a sendup of macho poseurs); the gleeful Shoplifting; the cynical anticonformist anthem Typical Girls; and the scurrying, ominously minor-key garage-punk Love und Romance. Their darker, louder, more punk side comes across with the overtly Siouxsie-esque Newtown and Adventures Close to Home. They’d reunite with a new drummer in 2007 and tour until Ari Up tragically died at 48 just a few weeks ago. RIP. Here’s a random torrent.
Our weekly, Kasey Kasem-inspired luddite DIY version of a podcast is a little late again, sorry, we’ll try to have next week’s for you on Tuesdays like we usually do. Every week, we try to mix it up, offer a little something for everyone: sad songs, funny songs, upbeat songs, quieter stuff, you name it. We’ve designed this as something you can do on your lunch break if you work at a computer (and you have headphones – your boss won’t approve of a lot of this stuff). If you don’t like one of these songs, you can always go on to the next one: every link here will take you to each individual song. As always, the #1 song here will appear on our Best Songs of 2010 list at the end of the year.
1. The Toneballs – Chelsea Clinton Knows
Characteristically incisive lyrical rock from Dan Sallitt’s jangly post Blow This Nightclub crew. They slayed with this a couple of weeks ago at the Parkside.
2. Annabouboula – Opium Bride
Psychedelic Greek rebetika surf/dance rock with sultry female vocals. They’ve got a long-awaited new album out and it’s great.
3. The Del Lords – When the Drugs Kick In
The legendary 80s Americana rockers’ first new song in 20 years, and it was worth the wait.
4. The Visitors – Living World
The New Race garage-punk classic recorded live 2008 via thebarmansrant.
5. Para – Roboti
Quirky, catchy Slovakian 80s flavored rock. They’re at Drom 11/17 at 9.
6. Copal – Shadows
One-chord jams don’t get any cooler than this hypnotic, trippy violin/cello Middle Eastern dance-rock vamp. From their excellent new album. They’re at Drom tonight at 10 if you’re in the mood to get out of the rain and dance.
7. Meg Reichardt – Frozen Toe Blues
8. Jeremy Messersmith – A Boy, a Girl and a Graveyard
This is the Tattooine guy, Elliott Smith style.
9. Cee-Lo Green – Fuck You
We couldn’t let the year go by without at least giving this one a mention. C’mon, you know you love it.
10. Buffalo Springfield – Burned
From the initial reunion show by the 60s psychedelic pop/Americana rock legends – this is with Neil on vocals, live via Leftsetz.
Every day our 1000 best albums of all time countdown continues all the way to #1. Thursday’s album is #817:
Love Camp 7 – Sometimes Always Never
New York psychedelic rockers Love Camp 7’s early work bears little resemblance to this richly melodic, lyrical 2007 masterpiece. Their jagged, astringent, rigorously cerebral early stuff drew more from Beefheart and Zappa. By the time they released this one, they’d defined their own sound, jangly and serpentine, with dizzyingly polyrhythmic vocal harmonies carrying frontman/guitarist Dann Baker’s wryly clever, historically infused, tongue-in-cheek lyrics. They’d also added a second guitarist, Steve Antonakos, whose fiery eclecticism became the perfect match for Baker’s counterintuitive, incisive fretwork. This has to be the only album that namechecks NBA star Eldon Brand, California conservationist David Gaines and know-it-all jazz dj Phil Schaap. The two tracks here that seem to have made it to the web scot-free are the lusciously retro psych-pop gem Munoz, and the punkish, politically fueled Naming Names. There’s also a lushly arranged triptych about waterworks corruption in 1930s California; guitar-fueled shout-outs to Barbara Lee (the only member of Congress who voted against giving the Bush regime the authority to declare war) and grassroots hero Jon Strange; a wild tribute to 60s garage rock legends the Seeds; and a couple of bouncy, Kinks-ish psychedelic pop numbers. Drummer Dave Campbell’s vocals pop up where least expected while he propels the unit with deadpan, jazzy aplomb. Campbell’s untimely death this year signaled the end for this unique and clever crew, although they have at least two more albums in the can, one a hilarious Beatles tribute/parody.