Album of the Day 11/28/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Sunday’s album is #793:

Gogol Bordello – Gypsy Punks

It’s only fair that we’d follow one great party band (P-Funk) with another. Gogol Bordello may not have been the first gypsy punks, but they took the sound gobal. This is their most punk album and the closest studio approximation of the pandemonium of their live show, the guitars roaring like the Clash on Give ‘Em Enough Rope. As usual, frontman Eugene Hutz alternates between English and Ukrainian when least expected; this time out, he adds Spanish to the mix. It’s got some of his most direct songs, especially I Would Never Wanna Be Young Again, an anthem for a million kids (and old kids) to sing along to. Not a Crime never identifies the specific act which, back in the day, used to be legal, but it doesn’t have to – it’s a classic for the paranoid post-9/11 world. Think Locally, Fuck Globally is self-explanatory, and it’s a classic. There are also plenty of surreal stories here: the bizarre East Village bathhouse scenario Avenue B; the crazed wedding narrative Dogs Were Barking, and a far more punk version of Start Wearing Purple than the one on the Everything Is Illuminated soundtrack. Toward the end of the album, the songs stretch out, with reggae and dub on Undestructable and Mishto and latin on Santa Marinella. Everything Gogol Bordello did is worth owning – they’re a band everybody who would never wanna be young again should see at least once in their lives. Here’s a random torrent.

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Janus Gets You Coming and Going

Like the mythical character, indie classical trio Janus looks in two directions, forward and backward. Backward, with a genuinely lovely, often baroque-tinged sense of melody; forward, with a compellingly hypnotic edge occasionally embellished by light electronic touches. This is an album of circular music, motifs that repeat again and again as they slowly and subtly shift shape, textures sometimes floating mysteriously through the mix, occasionally leaping in for a sudden change of atmosphere. Many of the melodies are loops, some obviously played live, others possibly running over and over again through an electronic effect. Either way, it’s not easy to follow flutist Amanda Baker, violist/banjoist Beth Meyers and harpist Nuiko Wadden as they negotiate the twists and turns of several relatively brief compositions by an all-New York cast of emerging composers. A series of minimalist miniatures by Jason Treuting of So Percussion – some pensive, some Asian-tinged – begin, end and punctuate the album, concluding on a tersely gamelanesque note.

Keymaster, by Caleb Burhans (of Janus’ stunningly intense labelmates Newspeak) is a wistful cinematic theme that shifts to stark midway through, then lets Baker add balmy contrast against the viola’s brooding staccato. Drawings for Mayoko by Angelica Negron adds disembodied vocalese, quietly crunching percussion and a drone that separates a warmly shapeshifting, circular lullaby methodically making its way around the instruments. Cameron Britt’s Gossamer Albatross weaves a clever call-and-response element into its absolutely hypnotic theme, a series of brief movements that begin fluttery and grow to include a jazz flavor courtesy of some sultry low flute work by Baker. There’s also the similarly trancelike Beward Of, by Anna Clyne, with its gently warped series of backward masked accents and scurrying flurry of a crescendo, and Ryan Brown’s Under the Rug, which builds matter-of-factly from sparse harp and banjo to a series of crystalline crescendos with the viola. Gently psychedelic, warmly atmospheric and captivating, it’s a great ipod album. It’s out now on New Amsterdam Records.