Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 12/10/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Friday’s album is #781:

Elliott Smith – Figure 8

Here’s somebody who never made a bad album. Elliott Smith’s albums from the 90s alternate gorgeously harmony-driven, George Harrison-esque pop with austere, sometimes charming but more frequently brooding little vignettes. This one, from 1999, is the only one of his albums that has a fully realized, lushly produced atmosphere from beginning to end, Smith playing virtually all of the instruments himself including the drums. There isn’t any obvious hit single here, but every single one of the fifteen tracks is excellent. Nobody wrote about drugs, or specifically heroin, more elliptically or poetically than this guy; here, he broadened his worldview and it paid off. Lyrically speaking, it’s the high point of his career. Junk Bond Trader was withering when it came out; these days it’s positively scathing, as is the anti-trendoid broadside Wouldn’t Mama Be Proud. There’s also the gently bucolic Someone That I Used to Know; the quaint tack piano pop of In the Lost and Found; the hypnotically crescendoing Everything Means Nothing to Me; the ragtime-tinged Pretty Mary K and LA, which quietly foreshadows the unrest and eventual doom that he’d meet up with there. Elliott Smith was murdered in 2003 in a vicious knife attack. William Bratton, the former New York City police commissioner whose most dubious achievement here was underreporting homicides in order to drive the official murder rate down, did the same thing in Los Angeles; Smith’s case was declared a suicide, even though he’d taken a knife through the chest twice. His killer remains at large. Here’s a random torrent.

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December 10, 2010 - Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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