Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 1/11/11

Tons of new stuff in the pipeline: Winter Jazzfest, gypsy music downtown and a great album by an Iraqi freedom fighter. In the meantime, as we do every day our 1000 best albums of all time countdown continues, all the way to #1. Tuesday’s is #749:

Immortal Technique – Revolutionary Vol. 2

Pretty much what you would expect from a lyrical genius with an awareness of the world around him. Immortal Technique gets universal props for his style, but nobody casts as wide a net and brings in so much knowledge. This is his 2003 response to 9/11 and the terror of the Bush regime. The Cause of Death is the most spot-on critique issued by any musician since that time, Freedom of Speech re-emphasizes the CIA-Bin Laden connection and Bush’s crackdown on human rights that followed, and Leaving the Past drives the point home yet again: “Humanity’s gone in a gravity bong done by a Democrat/Republican Cheech and Chong.” “Immortal Technique is poison to the Patriot Act,” he snarls on The Point of No Return, a crystal-clear portrait of a world gone forever. Peruvian Cocaine sympathetically explores the world of the terrorized peasants who make the stuff (Tech has no sympathy for the drug lords). The Message and the Money and Industrial Revolution are two of the funniest and most apt critiques of the music industry ever written; Crossing the Boundary equates cultural imperialism on the part of American multinationals with the corporate hijacking of rap. The 4th Branch is a slam at the corporate media; Harlem Streets and Internally Bleeding paint a surreal picture of the everyday horrorshow in impoverished America. Mumia Abu-Jamal also guests eloquently on a couple of tracks including Homeland and Hip-Hop: “Do you think duct tape and color codes will make you safer?” Is this the greatest rap album ever made? One of them, anyway. Here’s a random torrent.

January 11, 2011 - Posted by | lists, Music, music, concert, rap music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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