Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Svetlana Berezhnaya Plays Her Definitive Arrangement of Pictures at an Exhibition

Many years ago the prog-rock band Emerson, Lake and Palmer recorded a buffoonish, bombastic version of Moussorgsky’s Pictures at an Exhibition. As a result, it’s likely that much of an entire generation was turned off from the piece, from discovering the suite’s subtleties and intricacies. What little bombast and buffoonery there is in the original is confined to moments where it’s illustrating a character or a moment. Still, the idea of an organ version of this playfully creepy old standard is tempting. Last night at St. Thomas Church in midtown, Russian organist Svetlana Berezhnaya played her own organ arrangement of the suite, a richly dynamic, suspensefully illustrative, extraordinarily intuitive yet sometimes counterintuitive version that more than did justice to all the phantasmagorical, twisted characters who populate it. And while she didn’t softpedal it, there also wasn’t a single point at which she literally pulled out all the stops: she only brought the firepower when she absolutely needed it. The result was one of the best concerts of the year, in any genre.

Taking advantage of the range of available sonics, Berezhnaya gave the Gnome legs and elevated it to the level of grand guignol. Likewise, Baba Yaga’s Hut came to life in a cruelly caricaturesque dance, and the Cattle in her version were transformed into ominously growling, mad cows. But the Haunted Castle was understated, awash in airy drafts, the Ballet of Unhatched Chicks bouncing with surreal, staccato counterpoint quietly in the uppermost registers, and in the concert’s most striking moments, the Catacombs gave Berezhnaya a chance to evoke the spirits there with a genuinely haunting exploration of the lowest bass pedals. Surprisingly, the loudest passages were the raucously bustling Market scene; when she got to the Great Gate of Kiev, it was more of a casually celebratory conclusion than a fire-and-brimstone coda. There’s no telling if and when she’ll be back, but if you get a chance to see Berezhnaya play this, don’t miss it.

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March 28, 2011 - Posted by | classical music, concert, Live Events, Music, music, concert, New York City, review | , , , , , , , , , , , , , , ,

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