Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 5/11/11

Every day, our 1000 best albums of all time countdown continues all the way to #1. Wednesday’s album is #629:

Absinthe – A Good Day to Die

Sam Llanas may be known as the soulful baritone co-founder of Milwaukee roots rock legends the BoDeans, but this 1999 album by his other project Absinthe – with the Violent Femmes’ Guy Hoffman on drums and Jim Eanelli, formerly of the Shivvers, on guitar – is the best thing he’s ever done. Inspired by the suicide of Llanas’ older brother, this anguished, death-obsessed, semi-acoustic rock record follows the Bukowskiesque trail of a life in a long downward spiral so harrowing that when it ends with Time for Us, a surprisingly warm, comforting ballad that Llanas’ main band would pick up later, the mood still resonates. This guy just never had a chance. Bully on the Corner gets the foreshadowing going on early (although the narrator looks back and basically forgives him: his life must have been hell too). Defeat, with its mantra-like chorus, is just crushing; the title track is all the more haunting for its dignified treatment of the suicide. They follow that with the wistful, pretty Spanish Waltz, the unconvincing It Don’t Bother Me and then the two absolute masterpieces here, the down-and-out scenario Still Alone and the wrenching, Orbisonesque Messed Up Likes of Us. There’s nowhere to go from there but the bitter Dying in My Dreams, the denial of What I Don’t Feel and the paint-peeling noise-rock of A Little Bit of Hell, Eanelli’s great shining moment here. Surprisingly obscure, there don’t seem to be any streams of this anywhere, but it’s still up at the BoDeans’ site; here’s a random torrent.

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May 11, 2011 - Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , ,

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