Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Downtown Fun with Brooklyn Rider

It wouldn’t be fair to let the day go by without a big shout-out to Brooklyn Rider, the cutting-edge string quartet who played a characteristically eclectic show last night at Pace University’s Schimmel Center downtown. There are dozens of great string quartets out there, but too few of them let their hair down and get into the music with the kind of unselfconscious exuberance these guys do. This wasn’t just a display of chops: it was about fun, and entertainment, and soul. And connections. They’ve just recently released a smartly thought-out album of Phillip Glass quartets (recently reviewed here): violinist Colin Jacobsen explained that he recently couldn’t get Joao Gilberto’s Undiu out of his head, since it reminded him so much of Glass. So he arranged the piece for the quartet, and they played it right after Glass’ Quartet No. 2 (the considerably pensive “Company” quartet, written to accompany the Samuel Beckett play). What a cool segue that was, playing up each work’s tricky, hypnotic circularity.

They also did an early Mozart piece; Jacobsen’s own intricate, playful Sherriff’s Lied, Sherrif’s Freude, drawing equally on Dvorak and bluegrass; a couple of captivating, more-or-less-horizontal works written by shakuhachi virtuoso Kojiro Umezaki, who joined them for second part of the show; and a bunch of sizzling gypsy dances, a couple with characteristically cinematic, deviously clever arrangements by violist Ljova Zhurbin, who was in the audience. If you follow this space, you’ve noticed that we’ve covered Brooklyn Rider a lot. This is one of the reasons why.

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July 13, 2011 Posted by | avant garde music, classical music, concert, Live Events, Music, music, concert, New York City, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , | Leave a comment

Album of the Day 7/12/11

Every day, our 1000 best albums of all time countdown continues all the way to #1. Tuesday’s album was #567:

Squeeze – East Side Story

Ironically, this 1982 album is best known for the band’s worst song (and biggest hit – go figure), Tempted, the only cut that keyboardist Paul Carrack, who was in the group for only this album, ever gave them. But the rest of the songs are so good that they make you forget it’s there. More effectively than any of the well-loved British new wave band’s other albums, it contrasts Chris Difford’s quintessentially English, vaudevillian-tinged, lyrically dense tableaux with Glenn Tilbrook’s more diverse, Beatlesque tunesmithing and blazing lead guitar. Many of these songs take a sardonic but genuinely warmhearted look at romance from a woman’s point of view, without being sappy, notably Woman’s World, the poignant Someone Else’s Heart, the scurrying Is That Love and playful Mumbo Jumbo. The rest of the album is more eclectic than anything the band would do before or afterward, with the bitter country ballad Labelled with Love; the shapeshifting psychedelia of There’s No Tomorrow and F-Hole; Heaven, with its eerie, lickety-split banjo outro, the bouncy, cheery Piccadilly, Someone Else’s Bell and In Quintessence among the fourteen tracks on the original vinyl release. Here’s a random torrent via Ustedville.

July 13, 2011 Posted by | lists, Music, music, concert, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment