Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Killer Danceable Psychedelica from CSC Funk Band

Kick-ass instrumental funk from Brooklyn. The vibe is raw and live. CSC Funk Band play killer tunes with all kinds of unexpected twists and turns, in other words, everything you could possibly want from a good jam band. On their new album Things Are Getting Too Casual they keep things simple and proper instead of getting all self-indulgent: after all, it’s obvious what they really want you to do, after you’re done bugging out, is dance to this. Most of the jams seem longer than they are: four minutes in their universe seems like twice that, considering how much the band manages to pack into them.

The opening track, Caneca, sets James Brown to a lickety-split Afrobeat groove, reverberating Wurly piano, clanky guitar and an eerie noir trombone solo that the guitars slither around. We Don’t Care is a launching pad for the whole band – the drumming on the album is good, but on this track it’s absolutely amazing, punching and slashing wherever it’s not expected. Usually having drums this loud in the mix is a dead giveaway that the rest of the band sucks, but not with these guys: funkmetal guitar squeaks distortedly, brass blasts over a fat, sustained, minimalist bass groove lit up by a trebly trippy organ solo, an apprehensive alto sax solo and a ripping reverb-toned psychedelic guitar solo that adds a paint-peeling noiserock edge. That’s just the second track, by the way.

Opening with a big, anthemic, Mission Impossible style hook, Little Business motors along on an insistent Afrobeat-fueled 2-chord vamp with swirling keys and guitar, the trombonist lighting into another ominous chromatic solo. The most psychedelic song here is Thrift Store Find, which kicks off as a suspensefully ragged roots reggae vamp that explodes into a big fireball and then hangs in the air with the whole band blasting and then goes back down. The horns get trippy and a little later the guitar goes all the way down the rabbit hole with a slow-baked bluesmetal solo that keeps blasting all the way through the chorus. After that, Fiesta sets an insistent Afrobeat groove over swirling atmospherics, noise versus murk. The murk drops out and the noise wins as the groove continues and finally straightens out, before slowly pulling apart – how that happens is what keeps you hooked. And the microtones created by the blippy, reverberating clavinova versus a screechy Moroccan ney flute will clean out your brain along with your ears.

Bad Banana Bread sounds like a vintage 70s cop show theme done as roots reggae: with its eerie roto organ and echoing soprano sax, it could be straight out of the early Quincy Jones catalog. Funk Shoppe – a 2 Live Crew reference? – is a summery midtempo groove and the most hypnotic tune here, casually bluesy guitar over organ swirling in the distance and finally another one of the band’s trademark, mammoth choruses. There’s a deliciously unexpected interlude where they take it down to the keys bubbling animatedly over the bass. A Troll’s Soiree adds subtle dub echoes to what could be an early 70s Mulatu Astatke tune. The album winds up with Old Motel, a completely unexpected turn into briskly stomping, straight-up anthemic Irish rock that goes on for almost eleven minutes. And you can dance to it, too. CSC Funk Band plays the cd release show tomorrow night, 9/22 at 9:30 PM at Zebulon – if you can’t make it, check them out at the Free Music Archive – where more bands should be.

September 20, 2011 - Posted by | funk music, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , ,

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