MarchFourth Marching Band Is a Magnificent Beast
Where groups like Slavic Soul Party take brass band music to new places, Portland, Oregon’s MarchFourth Marching Band brings blazing brass flavor to funk, ska and occasionally hip-hop. Sometimes they’re sort of like a faster Hypnotic Brass Ensemble, but along with that band’s soul grooves, they also go into salsa and Afrobeat along with innumerable other global styles, with some neat dub tinges. Their latest album Magnificent Beast is party music to the extreme: catchy danceable grooves, big mighty hooks and tight, inspired playing: it’s a good approximation of the fullscale theatricality of the massive, sometimes 20+ piece band’s live show.
Interestingly, they open the album with a crunchy, guitar-driven heavy metal song set to a trip-hop beat. The second track, Soldiers of the Mind goes from funk, to reggae, to rap,with a nice soulful trombone solo and bubbly organ behind it. Delhi Belly slowly morphs into funk from a hypnotically rattling bhangra groove, with fat, noir solos from the trumpet and baritone sax. The tracks that most evoke the Hypnotic Brass guys are Fat Alberta, with its neat polyrhythms and shifting brass segments, and The Finger, a sweet, summery oldschool soul groove.
A lusciously sly oldschool salsa jam with a funny, tongue-in-cheek trombone solo, Sin Camiseta has the bari sax setting off a rousing arrangement that’s part second-line, part ska. The album’s best song, Cowbell, takes the sly, comedic factor to the next level with swirling Ethiopian horns, a smoky, sultry tenor sax solo and then finally a swirl of horns that unexpectedly go 3 on 4 on the outro. Rose City Strut reaches for lushly lurid noir swing ambience with reverb guitar and sometimes bubbly, sometimes apprehensive horns, muted trumpet and clarinet enhancing the late-night ambience in some random alley off a brightly lit avenue. A Luta Continua sets biting, syncopated salsa to an Afrobeat shuffle; Git It All, with its funky pop hook, was obviously designed for audience participation.
Another track full of unexpectedly fun changes, Fuzzy Lentil starts out like swaying, funky halfspeed ska, then takes a punk riff and funks it out with a biting brass arrangement. They end the album with the slowly crescendoing soul epic Skin Is Thin, the only real vocal track here, thoughtfully and poetically contemplating how to survive with “greedy nuts hatching evil plans” all around us – is this a time when “being a mutt is the only way to survive?” Maybe. As party music goes, it doesn’t much smarter or more entertaining than this. M4, as their fans call them, have a Dec 17 show in their hometown at Refuge,116 SE Yamhill; lucky partiers in the Bay Area can see them on New Year’s Eve at the Concourse Exhibition Center, 635 8th St. in San Francisco.
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