A Different Kind of Holiday Season Concert
This time of year the concerts in churches all over town pick up steam: it’s a holdover from the days when Advent was a way of keeping the peasants out of trouble until the final Saturnalia-style blowout at the end of the year. Sometimes the result is festive overkill. Last night at St. Thomas Church, Joseph Ripka of Calvary Church in historic Stonington, Connecticut played a concert that was just the opposite, a welcome antidote to all that pomp. Airing out the church’s smaller, more Northern European-toned gallery organ, his program featured works by baroque and pre-baroque composers especially suited to that instrument.
He began with a carefully paced, somewhat wary take of Sweelinck’s Chromatic Fantasy, which actually owes its brooding quality to an artful sequence of minor chords rather than to much of any sort of chromatics. Sweelinck’s contemporary, German composer Johann Steffens’ Veni Redemptor Gentium maintained the soberly Teutonic ambience, which brightened considerably with Abraham van der Kerckhoven’s memorable, strikingly more modern-toned Fantasie in D Minor. Buxtehude’s Mit fried und freud ich fahr dahm (BuxWV 76) is a typical period piece, a simple theme and variations that kept the stately expanse of counterpoint going: it only remotely echoes the composer’s intense, chromatically-fueled, paradigm-shifting passacaglias and fugues. Ripka finally pulled out all the stops for a rousing, majestic take of Bach’s Fugue on Meine Seele erhebt den Herren. What a delightful and counterintuitive way to close out the year at this long-running, perennially high-quality series of recitals, which resumes this coming January 15.
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