Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Intriguing Atmospherics from Katherine Young and TimeTable

For fans of gamelan music, insurgent Brooklyn jazz label Prom Night has put out After Party Vol. 2: Releasing Bound Water from Green Material. It’s an intriguingly through-composed Katherine Young score for percussion, played with trippy verve by TimeTable (Matthew Gold, Alex Lipowski and Matt Ward) with improvisation from an ensemble including the composer on bassoon plus Brad Henkel and Jacob Wick on trumpets, Emily Manzo on piano, Nathaniel Morgan on tenor sax, Dan Peck on tuba and Jeff Snyder on keyboards. As a whole, their role is basically to add atmospherics, with the occasional brief, ghostly cameo. It’s an enjoyable, roughly 22-minute exchange of intriguing textures.

Quietly keening drones, a few things falling into place, frenetically scraping, squishy galoshes-on-wet-street sonics and low bell tones contrast in the opening piece. Is some of this an attempt to mimic PA speaker feedback, acoustically? If so, it’s amazingly authentic. The long, central track is a set piece from the Court of the Stainless Steel King. Ringing gamelanesque bells rise, more swirly than plinky, and then recede against boomy low gongs. Insistent drum accents lead to a cadenza that ushers in more lively ambience in the background. Something slides; something scurries; woodblocks enter and then vary their cadences and timbres.

The final track blends fat, bassy, booming low gong swells with a grating overtone drone (bowed crotales, maybe?) and oscillating white noise that pushes in and attempts to take centerstage. Who is the audience for this? Anyone with an ear for atmospheric or chillout music; it makes a ride up the Broadway line on the express track between Brooklyn and Manhattan considerably more interesting, and strangely, more soothing.

November 7, 2012 - Posted by | avant garde music, jazz, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , ,

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