David Buchbinder Draws a Straight Line Back to Andalucia
Medieval Andalucia was the musical mecca where the nobility of Europe sent their spoiled kids to learn how to play it. It was where Arabs, Jews and Spaniards traded riffs. The golden age of jazz was much the same. with its alchemy of African, European and Latino sounds. Trumpeter David Buchbinder‘s new album Walk to the Sea with his Odesssa/Havana group recalls those eras as well as Arturo O’Farrill and Steven Bernstein’s recent mashups of those sounds. It’s one of the best albums Tzadik has put out in recent years and one of the best of 2013.
The opening track, Coffee Works, is a a diptych, juxtaposing a slinky klezmer-tinged stroll and then triumphantly picking up the pace with a salsa groove lit up by Aleksandar Gajic’s stark, resonant violin, and then a spiraling Hilario Duran piano solo A Duran arrangement of the traditional tune Landarico sets Maryem Hassan Tollar’s cool caramel vocals to a gorgeous minor-key jazz waltz, a blend of cutting-edge Fania era salsa, klezmer and jazz. Buchbinder’s chromatically bristling solo hands off to Roberto Occhipinti’s boomy bass, which gives John Johnson’s tenor and Duran’s piano a chance to conspire furtively as it goes doublespeed and then back.
The lone Duran composition here, Aventura Judia works variations on a similarly catchy chromatic salsa vamp with a lively exchange between Johnson and Buchbinder and a scampering piano solo, its web of percussion growing thicker as it pulses along. Somebody write some lyrics and give this to Earth Wind & Fire, or Spanglish Fly! La Roza Una follows with vocal variations on a stately minor-key martial riff.
The title track begins with a moody syncopation and builds to a blaze fueled by a two-horn attack from Johnson’s clarinet and Buchbinder’s trumpet, growing funkier as it bounces along. La Roza Dos goes in the opposite direction from a funky waltz to a wary, intense anthem, Tollar’s microtonal vocals enhancing the uneasy atmosphere. Valentin gives Buchbinder a chance to work dynamic magic against Duran’s flickering piano and Johnson’s pensive tenor sax, the percussion section pushing the ensemble through long upward and downward waves.
Calliope, another slinky salsa groove, gives Johnson a launching pad for a killer Middle Eastern tenor solo, Duran’s solo leading them through a brief doublespeed romp as it winds out. The final track rises from brooding, spacious neoromantic atmospherics to the closest thing to a straight-up salsa tune here, Tollar’s insistent vocals working a neat counterpoint with the resonant twin horns, Occhipinti, Duran and then Gajic trading incisive licks. Tuneful, edgy cross-pollination doesn’t get any more memorably anthemic than this.
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