The New York Festival of Song Transcends Category
For almost three decades now, the New York Festival of Song has staged many concert series around town that fall loosely under the category of art-song. Some of the material is on the operatic side, some veering toward cabaret, occasionally venturing toward art-rock or further to the edge of the avant garde. While the most recent one last week was staged at the National Opera Center, both the bill and the performance were characteristically eclectic.
Composition-wise, it was no surprise that the high point of the evening would be a triptych of text from Hamlet, brought to life with a vividly acidic austerity by Amy Beth Kirsten. Soprano Justine Aronson gave it an aptly grim, arioso rendition over brilliantly diverse pianist Thomas Sauer‘s haunting, bell-like resonance. The night’s funniest moment was a snarkily ridiculous portrait of a paparazzi (or someone who seems to want to be one) written by jazz piano luminary Fred Hersch, also performed by Aronson and Sauer. Aronson later brought richly nuanced, poignant vocalese to a setting of an Elizabeth Bishop poem by composer Russell Platt, pianist Michael Barrett adding a nocturnal lustre.
Harold Meltzer, who’d organized the night, was also represented by an unorthodox series of chamber ensembles featuring both acoustic guitar and mandolin: his circular, Reichian riffs and spacious phrases were the bill’s most modern elements. Aronson and Sauer delivered a dynamically-charged, crescendoing triptych by James Matheson whose idioms spanned from the baroque to the neoromantic. Mezzo-soprano Mary Nessinger took a Scott Wheeler setting of Wallace Stevens straight into grand guignol. And toward the end, Aronson again teamed with Barrett for a droll litany of “ark luggage” (flea powder and champagne included on the list) by David Lang.
The next concert in NYFOS’ current season is at Merkin Concert Hall on April 14 at 8 PM, a Spanish-inspired bill with music of Shostakovich, Taneyev, Wolf, Schumann, Granados and others, sung by soprano Corinne Winters and tenor Theo Lebow, with Barrett or Steven Blier at the piano. There’s also a spring gala at Carnegie Hall and the more informal, theatrically-infused ongoing series uptown at Henry’s Restaurant at 2745 Broadway.
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