Saxophonist Kenny Shanker Nails an Edgy NYC Vibe, With an October 29 Hell’s Kitchen Show
Lots of vivid, frequently edgy, tuneful straight-up New York portraiture on alto saxophonist Kenny Shanker‘s new Posi-Tone album Action City – streaming at Spotify – with Mike Eckroth on piano, Daisuke Abe on guitar, Yoshi Waki on bass and Brian Fishler on drums. They’re playing the album release show on Oct 29 at 8 PM at the brand new Room 53, 314 W 53rd St. between 8th and 9th Aves.
Everything here centers around a tight piano/sax/bass/drums pulse. The first tune, Times Square is an interesting one – it seems to offer some shelter from the bustling rush hour crowd outside, Eckroth spinning an intricately enticing web away from the driving latin groove until Shanker brings it back with a similarly swirling but more angst-fueled intensity. It paints a good picture, albeit without the sketchy life-size Hello Kittys.
Another Morning is all about urbane chillout swing, Shanker’s carefree vibrato sailing over Eckroth’s precise, purposeful chords and spacious tradeoffs with the drums. This seems to portray the kind of stainless steel counter place where they break out the martinis starting at around noon.
Summer Siesta is a deliciously catchy, biting cha-cha, and not the least bit sleepy. The title track is a brisk stroll, everybody in the band occasionally stepping out of time as we do from time to time on a busy sidewalk: Eckroth’s bluesy, stride-inspired solo is especially choice. Punch isn’t the smackdown you might expect, but a very attractive slow soul groove, Eckroth firing off some tasty blues/gospel licks. Donald Fagen would kill to have written this.
Eckroth stays in the spotlight through the spacious, stately, neoromantically marching Prelude, which gives way to Shadow Dance, a cool jazz waltz where the sax does exactly that to the piano. The most striking track here is Midnight, crescendoing on the wings of some blue-flame eights from Shanker until Eckroth takes it back into the back of the bar where everybody’s still hanging after closing time. Marble Hill offers a no-nonsense but warmly congenial, nocturnal North Bronx tableau – it would have made a good nostalgic tv theme back in the 70s. Tortoise & the Hare scampers along as Shanker and Abe flurry and bob, a contrast with the balmy boudoir ballad Riverbank at Dawn: hey, outdoors is cooler in the summer. Interestingly, Shanker winds up the album with a catchy, dynamically-charged Philly soul groove titled Snow Paws. You don’t have to be a New Yorker (Shanker’s not) to appreciate this. But it helps.
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