The Spectrum Symphony Deliver An Exhilarating Performance of New and Familiar Favorites
The Spectrum Symphony of New York put on a tremendous performance including a world premiere as well as two dynamic, electrifying versions of a couple of perennial symphonic favorites in the West Village about ten days ago, more than hinting at the kind of brilliance they’re capable at their next performance. The natural reverb at the Church of St. Joseph on Sixth Avenue added a welcome sonic dimension as conductor David Grunberg led the ensemble tightly and conversationally through the world premiere of the string orchestra arrangement of Ljova Zhurbin‘s Mecklenburg, then the Brahms Double Concerto and an alternatingly lickety-split and ravishing interpretation of the Beethoven Symphony No. 3.
Ljova writes a lot of film music, so it was no surprise that his work would be a mood piece, a concerto of sorts for pizzicato viola, a moodily vamping contrast between dancing motives building to a lushness awash in austere, misty harmony. The cello added a vibrato-fueled ache as it circled along, Steve Reich adrift on the Gowanus.
Violinist Artur Kaganovskiy and cellist Miho Zaitsu joined forces on an acerbically intertwining take of the Brahms Double Concerto. Majestic lushness alternated with plaintive angst through sinuous climbs and tradeoffs as the two soloists dug in hard on the lustrous lament in the second movement, then pulled back as Brahms’ hynmlike raptness took centerstage. The composer’s take on a Romany dance and its variations was a delicious romp before the final Beethovenesque coda.
Grunberg and the orchestra wrapped up the program with an astonishingly good performance of the Beethoven Symphony No. 3. It was so good, it’s releasable: if the orchestra wants to record it at some point, it should be an album. It was on the brisk side, but, hey, it’s the Eroica Symphony: bring it on! And that’s exactly what they did. It was a rollercoaster ride of leaping, lively, bubbling voices, but also a measured appreciation of the angst and suspense in the troubled second movement, giving way to jaunty triumph and balletesque acrobatics in an almost breathless salute to one of the most exhilarating pieces of music ever scored. There’s a famous George Szell recording of this symphony with the Cleveland Orchestra up at grooveshark that’s pretty much unrivalled for sheer fun factor, but this orchestra’s version delivered a challenge. The Spectrum Symphony’s next concert is this coming January 14 at 7:30 PM at St. Joseph’s Church, 371 Sixth Ave.just north of W 4th St, featuring the world premiere of JunYi Chow’s Serenade along with a Massenet piece, Mozart’s Concerto for Oboe and Haydn’s Symphony No. 101, “The Clock.”
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