Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Sam Sowyrda Brings His Relentless, Spectacularly Hypnotic Percussion Pieces to Trans-Pecos

Percussionist Sam Sowyrda has a thing for dynamics. He likes to build his compositions almost imperceptibly, giving himself an enormous amount of range to explore when he wants to get really loud – or just sort of loud. That’s where the MalletKAT (electronic vibraphone) player from trippy quirk-instrumentalists Cloud Becomes Your Hand ends up about three minutes into the more than twenty-minute A-side of his debut solo album Luminous Horizons, streaming at Gold Bolus Recordings and also available on cassette. He’s airing out that material and probably a lot more at the release show on May 13 starting at around 3 at Trans-Pecos. Cover is $10; wild avant garde marching band Ashcan Orchestra (of which he is also a member) follow his opening set, then Sowyrda eventually closes the evening at around 5:30. Hallowed Bells, a synth duo who seem to be shooting for some kind of postrock/cinematic thing, play before his second set.

Vibraphone iis his main axe, but here he plays a custom-built dulcimer made from a piano soundboard. After rising to a hammeringly precise pitch that brings to mind Louis Andriessen’s Worker’s Union, he lets the sound fall away to the occasional, resonant hit on what sound like temple gongs. Then, slowly and methodically, he builds toward a crescendo again with a calm, focused, gamelanesque approach that brings to mind Susie Ibarra. Is that a tremolo-picked guitar? A mbira? It’s just nuanced enough to give away the fact that it’s Sowyrda’s tireless fast-twitch muscles that are playing rapidfire volley after volley, rather than letting a laptop or a loop pedal do the work. The one-man orchestra effect that develops is as mesmerizing as any recent Michael Gordon percussion piece.

The B-side is the vibraphone piece Occidental Error, clocking in at a whopping 33 minutes plus, follows a similar tangent. It starts louder but a lot simpler, creating more of a hypnotic effect with very subtle polyrhythmic shifts and then the album’s gentlest, most envelopingly resonant moments. For the hell of it, here’s how Sowyrda’s Bandcamp page is tagged: “experimental acoustic ambient beautiful noise drone textural New York.” Spot-on.

May 11, 2017 Posted by | avant garde music, Music, music, concert, review, Reviews | Leave a comment