Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Surreal Mechanical Sounds and a Week at the Stone From Avant Garde Adventurers Yarn/Wire

The artists that John Zorn books into weeklong stands at the Stone are typically bandleaders improvising with various supporting casts. So it’s unusual that a full ensemble like perennially adventurous indie classical piano-and-percussion quartet Yarn/Wire – Ian Antonio and Russell Greenberg on bangable objects, Laura Barger and Ning Yu on pianos – would spend a week there, which they’re doing starting this Jan 29 at 8:30 PM; cover each night is $20. The most enticing installment is on the 31st with thoughtful, atmospherically-inclined bassoonist/composer Katie Young.

Yarn/Wire’s latest recording – streaming at Bandcamp – is Alex Mincek‘s sometimes bracingly insistent, occasionally comedic eight-part suite Images of Duration (In Homage to Ellsworth Kelly). Louis Andriessen’s adventures in analog similations of mechanical sounds seem to be an inspiration, along with Kelly’s landscapes.

The introduction, Points on a Spiral 1 begins ambiently, then the piano introduces an elegantly minimalist low-midrange theme against a high pianissimo echo in the far distance. Turn down the volume on your device for the sudden, jarring drumhits of Girls in Black and White and its assaultive industrial sonics.

Inviting low drones with slowly rising harmonic overtones drift through the sonic picture in Oblique, eventually receding for spare, serious piano figures: a pensively minimalist and then acerbically ringing, subtly microtonal conversation develops. Diagonal is a surreal blend of foreboding Asian temple theme, Terry Riley-ish ripples and churning steam piston-like sonics, cuisinarted and playfully reassembled at the end.

Trippily staggered, incisively chiming microtonal phrases grow more oddly mechanical in Vermillion Becomes Cobalt as wavelike gong washes and a growing low drone loom closer. Oxblood Becomes Orchid has anvil-like accents paired with mutedly bassy marimba responses, first as if through a wall, then more discernibly echoey. Way, way back in the distance, there’s a signature Black Sabbath theme, but once again Mincek pushes back the clouds with even more ridiculous comic relief.

Points on a Spiral 2 is a more somber variation on the earlier theme; the suite concludes with the brief, droll Quartz and Feldspar, Casper the Friendly Ghost monkeying around in the concert hall. Indie classical music doesn’t get much more psychedelic than this.

January 23, 2020 - Posted by | avant garde music, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , ,

Sorry, the comment form is closed at this time.