Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Trumpeter Summer Camargo Serenades the Crowd at Bryant Park

Last night at Bryant Park, Summer Camargo validated her status as a genuine rising star in the jazz world. The twenty-year-old trumpeter has a full, crystalline sound, but also peppers that with moments of striking extended technique, something that may still be a work in progress.. She also needs a website. Representing her hometown of Hollywood, Florida, she’s the granddaughter of a Baptist minister who did double duty as a country singer. She’s an engaging, unselfconsciously charismatic presence onstage and a prolific, translucent tunesmith, as evidenced by her performance leading a sextet which included Mark Castro on piano, Jeff Milller on trombone and Chris Lewis on alto sax. flute and clarinet.

They opened with a sturdy, traditionalist swing take of her original JP Shuffle, written for her dad, “A very happy positive person.” They followed with a jazz waltz version of the Charlie Brown pumpkin waltz theme, Lewis taking a turn on flute, the bandleader taking a long, expressive, resonant solo on flugelhorn. Castro’s spaciously rippling piano solo gave way to the bassist, who took it down to a whisper as the piano flickered.

The group returned to originals with Top Down, Shades On, a summery, punchy, latin-tinged midtempo tune with bright horn harmonies, a precise trombone solo and some wryly conversational, increasingly jubilant, ultimately irresistible triangulation between the horns. They wound it out with a punchy, precise, incisively bluesy piano solo and a deviously flurrying one from the drums.

Camargo introduced Grateful For the Good Times as a reflection on “A very emotionally trying time for me, lost some friends, lost some dear people, lost a pet.” The rhythm section built from a brief, misty piano solo, Camargo taking a lingering, saturnine verse, choosing her spots, Castro parsing Debussyesque raindrops with his solo.

Next was a pulsing, low-key, swinging take of Basie’s Splanky, Camargo descending with her mute in and a bluesy cheer. Lewis led a subdued bit of call-and-response from his bandmates before escalating back into the blues.

They followed with a deliciously balmy, swaying, gently accented jazz reinvention of the BeeGees’ Too Much Heaven with thoughtful, reflective trumpet and sax solos, then had conversational, dixieland fun with an instrumental version of an old cheeseball Broadway song.

Camargo explained that she wrote 80 Tears of Joy in memory of her grandmother. Castro gave it an animated gospel-tinged solo piano intro, Camargo rising to anguished in her soulful solo over a determined, bluesy midtempo swing. A fond exchange between sax and trumpet brought the song full circle. They closed with a briskly strutting minor-key blues with biting, rhythmic solos from trumpet, sax and piano.

There’s more jazz coming up at Bryant Park: purist pianist Yuka Aikawa will be playing a solo lunchtime show there on Sept 12 through 16 at half past noon

September 10, 2022 - Posted by | concert, jazz, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , ,

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