Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Dafnis Prieto Brings His Lush, Gorgeous Latin Big Band Sounds to the Jazz Standard Next Month

Over the course of his career, drummer Dafnis Prieto has immersed himself in an enormous number of influences. So it’s no surprise that the new album by his explosive Big Band, Back to the Sunset – streaming at Spotify – is a salute to every latin jazz artist he’s drawn inspiration from, sometimes three composers in a single song! That mammoth ambition pays mighty dividends throughout the album’s nine epic tracks. Prieto’s compositions are very democratic, with tons of animated call-and-response and counterpoint, and everybody in the band gets time in the spotlight. This seventeen-piece crew are playing a short stand at the Jazz Standard June 6-10, with sets at 7:30 and 9:30 PM; cover is $30.

Trumpeter Brian Lynch takes centerstage on and off, with and without a mute, in the blazing opening number, Una Vez Más. Pianist Manuel Valera tumbles and then delivers a contrastingly elegant solo; the rest of the trumpet line (Mike Rodríguez, Nathan Eklund, Alex Sipiagin and Josh Deutsch) build a conflagration over a slinky Afro-Cuban groove; the band storm up to a catchy four-chord riff and a blast of a coda. Prieto dedicates all this to Lynch, along with Tito Puente and Eddie Palmieri.

Is The Sooner the Better a mashup of bossa nova and Fort Apache flavor, since it’s a shout-out to Jerry Gonzalez and Egberto GIsmonti? With its rising exchanges throughout the band and relentlessly suspenseful pulse, it’s closer to the Brazilian composer’s most broodingly cinematic work. Baritone saxophonist Chris Cheek gets a tantalizingly brief, gruff solo, tenor saxophonist Peter Apfelbaum keeps it dark but gets more expansive, then piano and brass carry it away,

Cheek takes a wryly jovial solo to open Out of the Bone, whidh begins as a stunning, slashing mashup of Ethiopiques and Afro-Cuban styles. Massed brass carries the tune into more symphonic territory, then a droll, chattering interlude, and finally a round of trombones: Tim Albright, Alan Ferber, Jacob Garchik and Jeff Nelson.

Interestingly, the album’s gorgeously lingering, lavish title track is dedicated to Andrew Hill and Henry Threadgill, who takes a wryly spacious, peek-a-boo cameo on alto sax. The album’s longest number, Danzonish Potpourri, shifts suddenly from bluesy gravitas, to lush sweep, hushed piano-based glimmer and then a towering bolero spiced with shivery horn accents. How do they end this beast of a tune? With a coy Apfelbaum melodica solo.

Guest altoist Steve Coleman bubbles brightly, then hands off to trumpeter Nathan Eklund in Song for Chico, a cheery Veracruz-flavored number, much of which sounds like a long, joyous outro. Individual voices leap out from every corner of the sonic picture in the triumphantly shuffling Prelude Para Rosa, which like so many other tracks here morphs unexpectedly, in this case to a moody cha-cha with a spiraling Román Filiú alto sax solo.

The no-nonsense, bustling Two For One has similarly vast scattershot voicings, a smoky Apfelbaum solo followed by Valera’s scrambling attack and then a wry wind-down from Prieto and multi-percussionist Roberto Quintero. The album’s final number is the aptly titled The Triumphant Journey, dedicated to Dizzy Gillespie and Chano Pozo, with fiery cascades of Ethiopian riffage and a sudden shift to trumpet-fueled clave.

What a blast this album must have been to make, for a lineup that also includes trumpeters Mike Rodríguez, Alex Sipiagin and Josh Deutsch; alto saxophonist Michael Thomas and bassist Ricky Rodríguez.

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May 26, 2018 Posted by | jazz, latin music, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

CD Review: Brandon Wright – Boiling Point

Good title. Tenor sax player Brandon Wright’s new album is fearless, aggressive and fun, ablaze with a catchy tunefulness that sets up a lot of memorable solo work of his own along with trumpeter Alex Sipiagin, pianist David Kikoski, bassist Hans Glawischnig and drummer Matt Wilson propelling things with a joyous groove. Yet for all the firepower, the band is equally adept at ballads, with a couple of real surprises here. A Maria Schneider, Mingus Big Band and Chico O’Farrill alum and current Chuck Mangione sideman, Wright is a hookmeister: his big band experience has served him well.

Wright sets the tone right off the bat with Free Man, joyously shifting from one mode to another. Sipiagin follows him more bluesily, then Kikoski intensely with some clever quotes in a shifting series of runs down the scale. The second cut, Drift is a casually lyrical 6/8 number, Kikoski weaving incisively beneath Wright’s gently buoyant flights, Sipiagin taking a more pensive tone. Track three, Odd Man Out has an understated swing that picks up once Wright starts sailing after the first verse, Kikoski choosing his spots with spot-on precision. Again Sipiagin gets to play bad cop to Wright’s good cop, bringing in the clouds. The title track matches subtle chordal shifts to an upbeat vibe all the way through to a blazing conclusion, Wright just about jumping out of his shoes, he’s having such a good time. Kikoski’s solo is a clinic in how to work a simple vamp, subtly yet ebulliently ornamenting it. And the swaying, latin-tinged Castaway is a showcase for robust Sipiagin flights and cartwheels, Wright taking it down a bit before Kikoski’s sparkling solo leads it to an ambitiously staggered horn raveup at the end.

There are also three covers here. Jimmy Van Heusen’s Here’s That Rainy Day is just sax and piano, a comfortably medicated dialogue. Interstate Love Song rearranges the country-flavored Stone Temple Pilots original to the point of being unrecognizable (good thing, actually, especially when the piano solos). They close with a warmly convivial, bluesy take of Nat King Cole’s You’re My Everything. The album is just out on Posi-Tone.

April 26, 2010 Posted by | jazz, Music, music, concert, review, Reviews | , , , , , , , , , , , , , , , , , , , | Leave a comment