Lucid Culture


Song of the Day 9/14/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Tuesday’s album is #868:

Blowfly – Blowfly’s Party

Whether or not Blowfly really earned his nickname as a teenager when castigated by his grandmother for singing “C’mon baby, suck my dick,” instead of “do the twist,” Clarence Reid still has a franchise on x-rated R&B. He was making what used to be called “party records,” no doubt inspired by Red Foxx and Rudy Ray Moore, as early as the 1970s, when he wasn’t working as a hired-gun songwriter for acts as diverse as Betty Wright and KC and the Sunshine Band. But he saved his best stuff for himself. Maybe because he was so funny (or maybe because musicians thought that a connection to his filthy alter ego might translate into a hit single, or a session gig), he attracted topnotch players in droves. This album, from 1980, was an underground sensation and actually made the Billboard charts despite getting no airplay (apparently Blowfly didn’t think of making a “clean” version). Everything here is good for a laugh: Blowfly’s Rap (a Kurtis Blow ripoff) and Show Me a Man Who Don’t Like to Fuck, for example. Can I Come In Your Mouth is actually all about equal opportunity: Blowfly makes it clear to the girl that he’s willing to reciprocate. And some of the tracks are downright hilarious, particularly Who Did I Eat Last Night. All of this you can dance to. In the mid-zeros, Blowfly teamed up with a bunch of punk musicians and issued two albums of sexually explicit punk covers on Alternative Tentacles. Now in his seventies, he still tours. Be extra careful looking for a download – because some consider this adult entertainment (it’s actually the most juvenile album on this list), links that appear to be for torrents may lead to attack sites or malware: good luck and sweep your machine afterward.

September 13, 2010 Posted by | funk music, lists, Music, music, concert, rap music | , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Concert Review from Somebody Else’s Archives: The False Prophets Live

A New York band from the 80s and early 90s signed to Jello Biafra’s Alternative Tentacles label, the False Prophets started out as punk bordering on hardcore and that’s pretty much how they were perceived, although they were far more ambitious, both lyrically and musically, than any of their compatriots from that era. They used horns and keyboards in addition to the standard bass/drums/guitar lineup, with all kinds of breaks, interludes and a very theatrical, somewhat performance art-oriented feel (check out their sprawling anarcho-art-rock monstrosity Marat-Sade to see how far outside they could go when they felt like it). Go to the first page of the 1988 CBGB footage and watch frontman Stephan Ielpi rail against gentrification. It was almost twenty years ago that he was forced out of his East Village apartment and exiled to what was then the wilds of Brooklyn. Plus ca change. That’s James White. of all people, playing sax on the intro to the absolutely hilarious Beautiful Day.

Check out the Rock Against Racism footage at Central Park and watch a teenage Debra Adele (now with Devi) playing nasty, off-the-edge-of-the-cliff blues-rock riffs. Pretty amazing to see how she’s evolved without losing any of the intensity of her punk rock years.

The Palladium footage includes one of their best songs, the deliriously melodic, almost powerpop number Limit of the Limitless. The False Prophets weren’t always the most articulate band, but they never sacrificed substance for style. As David Gilmour famously said, rock n roll means there are no rules and this band lived and breathed that philosophy. For anyone who was there, this will be a delicious blast from the past: just around the time that grunge was taking its first tentative, pretentious, self-involved steps out of the cesspool, here was a band that was all about their music and the society they lived in. May every kid who wants to start a band see this footage and be inspired to push the envelope as hard, fast and far as the False Prophets did.

December 2, 2007 Posted by | concert, Live Events, Music, music, concert, New York City, Reviews, rock music | , , , , , , , , , , , , , , , , , , | 1 Comment