Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

The Walking Hellos’ Debut Album is Delicious

The Walking Hellos’ new album Because I Wanted to Know is unpredictable, counterintuitive, tuneful fun. It’s a blast of rosemary cayenne popcorn flavor from down the hall. It makes you ravenously hungry. This band would have been huge in 1989. With their clear, sweet, sometimes chirpy, sometimes hypnotically atmospheric harmonies, the all-female, four-piece Brooklyn band reminds a lot of Lush, with the guitar-fueled, insistent intensity of the Throwing Muses and some growling, snapping Slits rhythm as well. Accordionist/banjoist Myla Goldberg (novelist and author of Bee Season, which earned her a song dedicated to her by the Decemberists), guitarist and occasional Pauline Oliveros collaborator Val Opielski, bassist Rose Thomson and drummer Heather Wagner shift unexpectedly and joyously from one style from another with an understated aplomb.

The album’s opening track, Botched contrasts woozy, out-of-focus slide guitar on the verse with an eerie, crescendoing chorus with goth tinges. The second cut, Little Boys is even creepier and explodes in sudden fireball of distorted guitar. The title track grows from a lot sparsely populated by hypnotic, reverberating guitar textures to an orchard of vocals and accordion – and a neat little bridge with some sort of wind instrument. “”I know how to do this, I know how to disappear, I’ve been on this job a thousand years,” Goldberg relates mysteriously.

Undertow 1 and Winter Remedy are cleverly arranged, dreampop-flavored numbers that contrast shimmery harmonies with Thomson’s marvelously trebly, gear-grinding, melodic Jean-Jacques Brunel-ish basslines. Lane 5 – unquestionably the coolest song ever set in a swimming pool – starts gentle and summery and goes out with a long yet terse distorted guitar solo. The album winds up with a percussively hypnotic, wickedly catchy, blazing dreampop rocker, an echoey instrumental fragment, the early Lush soundalike The Unloved and a dub-hop instrumental, Lane 5 After Hours. Wow. It’s been awhile since a band has packed so much fun into forty minutes or so. Look for this one on our upcoming Best Albums of 2010 list in December.

August 12, 2010 Posted by | Music, music, concert, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment