Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Album of the Day 8/5/11

Every day, our 1000 best albums of all time countdown continues all the way to #1. Friday’s album is #543:

Ruben Blades y Seis Del Solar – Escenas

One of the most socially aware artists of the classic salsa era, Ruben Blades gets extra props for introducing Hector Lavoe to Willie Colon while working in the Fania Records mailroom and writing songs on the side. The rest is history. While he bridges several eras, Blades’ songwriting has never wavered. The production on this 1984 release isn’t as ballsy as it would have been ten years previously, but the songs are consistently excellent, even Silencios, which is badly miscast as a pop ballad. Otherwise, there’s the starkly scurrying widow’s lament Cuentas Del Alma; the scathing Tierra Dura, which addresses famine in Ethiopia; the blackly humorous La Cancion Del Final Del Mundo; Sorpresas, which continues the story of the struggling blue-collar Pedro Navaja, star of Blades’ signature song; Caina, a gritty look at the not-so-glamorous side of the cocaine trade (“Why would you want to do coke/It makes you edgy and obnoxious”) and an update on the Los Van Van hit Muevete. Here’s a random torrent.

August 5, 2011 Posted by | latin music, lists, Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Album of the Day 12/19/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Sunday’s album is #772:

Machito y Su Orquesta – Esta Es Graciela

By the time the legendary Cuban-American bandleader and his sultry chanteuse sister released this album in 1964, he was in his fifties and she was getting close. But neither show their age. Only the arrangements are more lush and sensual, by comparison to the animated intensity of the band’s work in previous decades. Machito may or may not have invented salsa, but his orchestra was the one that everybody imitated, right through the end of the 60s and even beyond: the Fania era never would have happened without him. Likewise, Graciela Gutierrez-Perez, who died earlier this year at 94, set the standard for salsa divas. She could be brassy or coy and she could work a song’s innuendo the same way she worked a crowd. This one shows off both her sides: El Albanico, a slinky, sly duet with Machito; the crafty, sexy Mi Querido Santi Clo; the fast, bubbly mambo Estoy A Mil; the downright seductive Ay Jose; the lavishly orchestrated son montuno of El Gato Tiene Tres Patas; the sad, brooding Ya Tu No Estas; the characteristically tongue-in-cheek, risque Celos Negros, and the balmy tropicalia ballad Si No Eres Tu, and four others ranging from lavishly lush to swinging dance numbers. Frequently reissued and often bootlegged, later versions constantly turn up in used record stores that sell latin music. Otherwise, Fania has the cd; here’s a random torrent.

December 19, 2010 Posted by | Uncategorized | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment