Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Concert Review: Love Camp 7 at Parkside Lounge, NYC 6/2/07

The house was full by the time the band went on. There were a couple of tables full of yuppie puppies from Westchester or Connecticut, loud and oblivious as if they were on lunch break at middle school (even if that was ten years ago for them). It took Love Camp 7 about five minutes to clear them out of the room, opening up some space for the cool kids to sit. Love Camp 7 played interludes all night, an endless series of hooks, riffs and intricate guitar figures that rushed by, a whirlwind of beautiful, jangling, twanging, wailing melody. Their songs don’t follow any predictable pattern. Each is a winding back street through a casbah of the mind where every turn could be a dead end but always leads somewhere unexpected. Yet the songs are anything but random. Love Camp’s not-so-secret weapon, in full force tonight, is drummer Dave Campbell, one of the two or three finest in all of rock. He led his bandmates, redoubtable bassist Bruce Hathaway and frontman/guitarist Dann Baker (who also plays with Campbell in Erica Smith’s band the 99 Cent Dreams) through one tricky change after another, through minefields of weird time signatures and abrupt endings. In the end, everybody emerged exhausted but unscathed.

They opened with a couple of jangly numbers, the second being the tongue-in-cheek The Angry Driver with its wickedly catchy, recurrent chorus. They then followed with a few cuts from their forthcoming Beatles album. Each of these songs takes its title from a Beatles record. Like the Rutles or XTC on their Dukes of Stratosphear albums, Love Camp 7 expertly blends in licks and melodies that are either stolen directly from the Fab Four, or bear a very close resemblance. The result works as both homage and satire. While the song cycle begins with Meet the Beatles – which they played tonight, the closest thing to an actual period piece among the songs – the compositions bear a much closer resemblance to the most intricate, psychedelic stuff from the White Album or Abbey Road than any of the Beatles’ early hits.

Revolver began with the chorus, eventually broke down into an interlude and then reverted back. Magical Mystery Tour was set to an odd time signature, with a doublespeed break after the chorus and then a passage right out of I Am the Walrus. The Beatles’ Second Album was the closest thing to a narrative, a wry, invented reminiscence of the era when the record came out.

The rest of the set blended gorgeous, jangling psychedelia with strange, sometimes atonal stop-and-start numbers. Second guitarist Steve Antonakos used one of them to sneak in some completely over the top, Eddie Van Halen-style tapping which was very funny. They encored with the only song from their new, career-best album Sometimes Always Never that they played tonight, Naming Names. Campbell and Baker traded off vocals on this acerbic namecheck of some of the unexpected culprits who narced on their colleagues during the McCarthy hearings. From just this set, it seems as if Love Camp 7 has at least two killer albums worth of material ready for release: a very auspicious event.

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June 5, 2007 Posted by | concert, Live Events, Music, music, concert, New York City, review, Reviews, rock music | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | 3 Comments