Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Miramar’s Para Siempre – Get It While It Lasts

Miramar’s Para Siempre stands out as the most noir album of recent months. The vintage Puerto Rican bolero band’s main instrument is keyboardist Marlysse Simmons-Argandoña’s tremoloing, funereal Farfisa organ, over which singers Rei Alvarez (Simmons-Argandoña’s bandmate in retro salsa powerhouse Bio Ritmo) and Laura Ann Singh harmonize lushly, against a backdrop of acoustic guitar, baby bass and drums – and that organ. The result is both completely retro and original at once, a Sam Fuller film set in San Juan, 1955. These “songs about love and anti-love” are up at the band’s bandcamp site as a name-your-price download (that means free if you’re broke).

Interestingly, the most iconic song here, Silvia Rexach’s Di Corazon is done with piano rather than organ, a stately, spacious version with spare guitar that lets the lyrics’ understated anguish speak for themselves. Rexach was reputedly about 15 or 16 when she wrote this; Alvarez and Singh vividly evoke the pain of a girl alone at night wondering whether anyone will ever care about her. The slinky Farfisa rivulets kick in on another Rexach classic, En Mis Sueños, darkly dreamy but more so musically than lyrically. They follow a brief, gorgeous organ solo by a gently spiky one from the acoustic guitar. Tomate Una Copa has a bouncy insistent “gimme a chance” vibe, with the piano and guitar carrying it, Alvarez handling the lead vocal.

Nuestro Juramento is a creepy organ waltz that evokes another retro latin band, Las Rubias Del Norte – the wounded duet vocals are viscerally intense. The best of the organ tunes is the lusciously, luridly spiraling Alma, with its wary, somewhat surreal guy-vs.girl call-and-response and tango nuevo-tinged melody. They follow that with two piano ballads, the expansive Y Etonces and the brooding, bitterly crescendoing intense title track. They close with Estatua (Te Creo), rich with restrained longing. Get this while it’s still online.

June 9, 2011 Posted by | latin music, Music, music, concert, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Dark Psychedelic Romance with Miramar at Barbes

Saturday night at Barbes Miramar put on what had to be the most romantic show of the year, and one of the most haunting ones too. Like a Puerto Rican Las Rubias del Norte, they add swirling tremolo organ to classic boleros from the 1950s and 60s along with some choice originals that fit in perfectly with the old classics. Singers Rei Alvarez (also of Bio Ritmo) and Laura Ann Singh harmonized with a sometimes sultry, sometimes chilling chemistry over organist Marlysse Simmons-Argandona’s psychedelic swirl, anchored by an excellent rhythm section with baby bass, drums and bongos plus an acoustic guitarist. Their version of the famous Por Siempre had Simmmons-Argandona following a thoughtful, soulful guitar solo with one of her own that wouldn’t have been out of place in an Electric Prunes song. She switched to piano for a slow, swaying tune where the male singer tries to tell the girl he’s with that he’s not heartbroken – it’s just the hot food. Maybe, a Greek psychedelic rock ballad from the 1960s with bolero tinges, was the eeriest moment of the night, with some nice tremolo picking from the guitarist, maybe to mimic the oud on the original? It sounded like a Greek Chicha Libre.

The rest of the set was just as eclectic: the unexpectedly dark Amorada Madre Mia, with its guy/girl tradeoffs and intense, distorted organ solo; Insatiable, with more of a dramatic tango feel; a romantic island tableau done as a piano nocturne; the stately waltz Estatua, an Alvarez original; and a conversation between a man and woman, again reaching for a tango atmosphere with incisive organ and crescendoing Spanish guitar. They closed with an elegant duet version of Sylvia Rexach’s iconic En Mis Suenos, full of restrained longing, and a number that once again brought to mind Chicha Libre, echoey electric piano vamping hypnotically, with searching, soaring harmonies and a long, spiraling guitar solo. They didn’t play their devastating version of Rexach’s signature song, Di Corazon (they were saving that for the second set), which is available on their pretty amazing new album at their bandcamp site.

March 7, 2011 Posted by | concert, latin music, Live Events, Music, music, concert, New York City, review, Reviews | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment