Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Matthew McCright Elevates New Work from Midwestern Composers

On his new solo album Second Childhood, Minnesota pianist Matthew McCright (who’s at Merkin Hall on 9/25) plays with nuance, fluidity and counterintuitivity on a diverse and eye-opening collection of new works by midwestern composers. He gives these pieces plenty of breathing room: it’s an album of melody and subtleties rather than overt technical prowess (although McCright has plenty of that). His presence is unobtrusive except when it needs to be more aggressive, and then it is, sometimes when least expected yet very welcome. Bruce Stark’s Five Preludes for Piano opens it: moody echoes of Satie with occasional jarring upper register atonal accents; an austere (one is tempted to say stark) moonlit miniature; a rippling, circular work that straddles calm and apprehension; a not quite heroic theme and a rapidfire passacaglia of sorts.

Evening Air, by Gregory Hutter is an insistent nocturne: McCright’s extra-precise articulation and deft sense of dynamics downplay its occasional ragtime flavor. The real gem here is Constellations, by Kirsten Broberg. This delightfully evocative partita artfully introduces icy, nebulously related clusters and after some otherworldly upper-register explorations watches the universe expand and cool down even further. John Halle is represented by two pieces, a ragtime-flavored lullaby and a straight-up rag that cleverly interpolates other, darker styles. Daniel Nass’s Dance Preludes expand, often eerily, on tango, ragtime and a heavily camouflaged waltz. The most playful material here is by Laura Caviani: her jazz etudes include an inventive series of variations on a saloon blues theme; an understatedly intense, chromatically charged tango and a boogie-woogie number, the only one of this vast range of styles that seems to be unfamiliar terrain for McCright. In its own subtle and emotionally attuned way, it’s a real tour de force. It’s out now on Innova.

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September 15, 2010 Posted by | Uncategorized | , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment

Album of the Day 9/8/10

Every day our 1000 best albums of all time countdown continues all the way to #1. Wednesday’s album is #874:

Dorothy Donegan – Live at the 1990 Floating Jazz Festival

Early in her career, pianist Dorothy Donegan was dismissed by critics because she was pretty, she wore what were considered racy outfits for the time and she played everything – and drove her band members nuts onstage, segueing from jazz to R&B to classical, often within the span of a single song. She particularly enjoyed playing Rachmaninoff and excelled at it. Twelve years after her death, she’s gained recognition as one of the most extraordinary jazz pianists ever. By the time she recorded this album, she was as likely to be playing on a boat as at a club and this is one of those gigs. Yet it reveals her to be as blissfully intense and occasionally chaotic as she was at her peak in the 1950s and 60s, matching sizzling chops to frequent repartee with the audience (who seem at times to have no idea what just hit them). And the irony is that she does it with more than just her usual Blackbird Boogie and variations on a million themes. It’s a pretty generic set list for someone so adventurous, at least until you hear it. Most of these songs are standards, but she makes nonstandards out of them, blasting out of Someday My Prince Will Come into Tiger Rag, a bit later leaping from Misty to a rousing version of Ellington’s Caravan. There are also boisterous saloon jazz versions of The Lady Is a Tramp, After Hours and Round Midnight. A lot of her studio albums from the 50s are out of print and worth keeping an eye out for if you’re the kind of person to troll used record stores and the Salvation Army for abandoned treasures. Chiaroscuro still has this one in their catalog; if you’re looking for a torrent, good luck with this.

September 8, 2010 Posted by | jazz, lists, Music, music, concert | , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , | Leave a comment