Lucid Culture

JAZZ, CLASSICAL MUSIC AND THE ARTS IN NEW YORK CITY

Brass Menazeri’s New Album is Gorgeously Intense

Here in New York we have Slavic Soul Party, Raya Brass Band, Veveritse and of course the godfathers of East Coast Balkan brass, Zlatne Uste. The San Francisco Bay Area has gypsy brass band Brass Menazeri and they are equally awesome. Their new album Vranjski San is just out on Portofranco Records. As much as there’s plenty of cross-pollination in Eastern Europe, American gypsy bands really mix up their styles: there’s something to be said for the argument that the newly converted (or at least those who didn’t have the good fortune to grow up with this stuff) are more dedicated than those born into a religion. And as any fan of gypsy music or Balkan music knows, it’s sort of a religion. Brass Menazeri (pronounced “menagerie”) seize this passion and run with it, from from Serbia to Rajasthan. What’s most striking about the album is how long the songs are: most of them clock in at least five minutes or more, because what this is first and foremost is dance music. It’s a great album to wake up to if REALLY waking up is your game plan.

Many of the tracks use the eerie Middle Eastern hijaz scale, sometimes the minor keys (and occasionally the happier major keys) of the west, sometimes all of them in the same song. When the music goes all the way down to a break with the tapan (bass drum), that’s usually a signal that something unexpected and fun is about to happen. As much as virtually of the tracks here are dance tunes, many of the melodies are quite haunting. Mejra Na Tabutu has a graceful bounce, but also a rivetingly wounded vocal from one of the band’s frontwomen, and an otherworldly ambience – which makes sense, considering that the title means “Mejra in the casket.” Likewise, Phirava Daje (I Traveled, Mother) moves along matter-of-factly on a riff that sounds straight out of an old African-American spiritual, with a distant whirlwind of horns featuring both swirling rotary horn and moody, austere clarinet by bandleader Peter Jaques.

The title track, a mini-suite of sorts, blurs the line betwen klezmer, the Balkans and the Middle East, bubbling horns behind the plaintive lead melody. Another aptly titled number, Cocekahedron works rich, shifting layers underneath fiery doublestops and a cleverly orchestrated handoff from clarinet to trumpet. Perhaps the most strikingly beautiful song here is E Davulja (The Drums) with its poignant vocals and brooding clarinet over the horns’ staccato insistence. The Greek numbers here share a blustery, breathless, rapidfire intensity. There’s also a Balkanized version of a big Bollywood hit from the 90s full of playful call-and-response; a handful of introspective solo horn taqsims, including a rewrite of a Benny Golson theme; and the jazzy complexity of the cover of Saban Bajramovic’s iconic Opa Cupa that closes the cd. Minor keys or not, most of this is pure bliss. Bay Area fans can see Brass Menazeri’s next gig at the bracingly early hour of 11 AM on 9/15 at the SF Summerfest at Embarcadero and Battery.

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September 13, 2010 Posted by | folk music, Music, music, concert, review, Reviews, world music | , , , , , , , , , , , , , , , , , , , , , , | 2 Comments